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From basic rock to rootsy folk, the XENYX 1002FX lends immeasurable vibe to intimate performances with an internal 24-bit FX processor. It's light, easy to use and waiting to make your next performance three-dimensional.
119.00€
Premium 10-Input 2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs and USB/Audio Interface
139.00€
2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch), Each zone has 3band tone controls, balance, volume and mono/stereo switch, 11 inputs on 5 Channels (5 balanced mic + 4line + 2phono), 1Microphone with 3band tone control and zone assignable adjustable talkover.
259.00€
The perfect all-round zone mixer for pubs, bars, hotel, restaurants, … Easy operation, focused on inexperienced users (advanced settings on rear panel) 4 Totally independent zones: 1 Stereo zone: Balanced XLR + Euroblock connectors and RCA/cinch master mix Volume with max. level trimming 3band tone control (rear panel) 2x 10segment level meters Separate talkover for both mics (rear panel) 3 mono zones, each with: Balanced XLR + Euroblock connectors Individual source select + master mix Volume with max. level trimming 2band tone control (rear panel) 5segment level meters Separate talkover for both mics (rear panel) Mics can be included/excluded for each zone (rear panel) 100Hz HP-filter to protect small speakers (rear panel)
425.00€
Mackie 1202 VLZ4 12 Channel Mixer - Onyx Mic Preamps, 4x mono mic/line xlr/jack inputs, 4x stereo line jack thomann inputs, 2x stereo aux returns, 2x aux sends, 4x inserts, 3-band EQ, 18dB high pass filter, PFL, 48V phantom power, internal power supply. Dimensions: 303 x 75 x 284mm (WxHxD); weight: 3kg.
290.00€
Mackie 1402 VLZ4, 14 channel mixer, VLX 4 Onyx Mic Preamps, 6x mono mic/line inputs (XLR/jack), 4 stereo line thomann inputs (jack), 2x stereo aux returns, 2x aux sends, 6x inserts, 3 band EQ, 18db lo-cut filter, PFL, 48V phantom power, internal power supply, balanced master outputs (XLR/jack), Dimensions (H x W x D): 81 x 356 x 329mm, Weight: 4.5Kg,
390.00€
Now featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago.
899.00€
Mackie 1642 VLZ4 Mikseta sa 10 mikrofonskih i 4 linijska stereo ulaza, ONYX pre-ampi - odlicna za bendove, klubove itd.
699.00€
Mackie is a Proven Leader in Analog Mixers Beyond sounding great, the Mackie 2404VLZ4 mixer is one piece of gear you can truly rely on. It continues the VLZ Series' trend for rock-solid construction, while taking your sound quality to a new level. You've got an amazingly wide dynamic range, incredible 60dB gain range on the Onyx microphone preamplifiers, and ultra-low-noise performance. The 2404VLZ4 also boasts effects DSP with two internal FX sends, and even a 4 x 2, 24-bit USB audio interface for easy, high-quality recording. And with high-resolution meters, generous I/O, and sealed rotary controls that keep out dust and grime, the Mackie 2404VLZ4 is one of Mackie's best mixers ever.
1,139.00€
Mackie 402 VLZ4 - 4-channel mixer, Onyx Mic Preamps, 2x mono mic/line inputs, 1x stereo line input, 2-band EQ, thomann low cut filter, 48V phantom power, Optional Case 250476
110.00€
Mackie 802-VLZ4 8-ch Analog Mixer with 3 Onyx Mic Preamps, 3 x Stereo Channels, and 1 x Aux Sends Per Channel
215.00€
Mackie Mix5, 5-Channel compact Mixing Console, 1 Mic-Input with 2 Band EQ incl. Phantom-Power, 2 Stereo-Channels without EQ, thomann bal. Main Out/TRS, Headphone-Out, Tape In/Out
59.00€
Tech Specs Type Analog Channels 12 Inputs - Mic Preamps 6 x XLR Inputs - Line 12 x TRS Inputs - Other 1 x stereo RCA, 1 x 1/4" (Footswitch) Outputs - Main 2 x XLR, 2 x TRS Outputs - Other 1 x stereo RCA Headphones 1 x 1/4" Send/Return I/O 1 x 1/4" (Mon Send), 1 x 1/4" (FX Send), 2 x 1/4" (Stereo Return) Phantom Power 6 Channels EQ Bands 3-band Faders 12 x 60mm Throw Channel Inserts Yes Effects Yes Computer Connectivity 1 x USB Rackmountable Yes Height 3.6" Width 14.6" Depth 14.1" Weight 9 lbs. ŠALJEMO NA ADRESU!!!
285.00€
Mackie PROFX30v2 Mikseta sa 24 mikrofonskih i 4 linijska stereo ulaza, sa FX procesorom.
990.00€
Mackie PROFX4v2 Mikseta sa 2 mikrofonska i 1 linijskim stereo ulazom, sa FX procesorom.
140.00€
Mackie PROFX8v2 Mikseta sa 4 mikrofonska i 3 linijska stereo ulaza, sa FX procesorom.
230.00€
6 mono 1 stereo 16 x DSP deck mixer, USB reader, 1 aux, + 48V phantom, 2 x 7 band master EQ, 4 band channel EQ, 60mm logarithmic sliding fader, headphone output, xlr balance
139.00€
8 mono + 1Stereo, Aux, Phantom, 16 Delay Effect, 2x7 Band EQ
169.00€
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Band active EQ(HIGH,MID ,LOW).
139.00€
Ultra low noise 12 - Channel Mic / Line Mixer - 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
379.00€
Ultra low noise 8 - Channel Mic / Line Mixer - 8 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
309.00€
Pre-amplifier,10 channels input(chime inside) With 10 input channels, each channel can be adjust independently. MIC 1 has priority function, built-in chime function. With 5 MICs, 3 AUX input , 3 line output,and 2 EMC inputs. With independent volume control, uniform volme output. Has one treble, one bass. POWER SUPPLY: 230V ŠALJEMO NA ADRESU!!!
88.00€
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function Can connect 8 units amplifiers external. With 8 independent input and output channels without any interference. Each channel has independent volume control. MIC 1 has priority function and can select any channel to output arbitrarily. With chime function. ŠALJEMO NA ADRESU!!!
157.00€
■ Built-in 16DSP digital effects mixer; ■ mono input channel 3-band equalization, 48V phantom power; ■ 1 auxiliary send and 1 set of stereo auxiliary return, 1 stereo output; ■ Built-in 16DSP digital effects, MP3 playback and Bluetooth capabilities;
159.00€
■ Built-in 16DSP digital effects mixer; ■ mono input channel 3-band equalization, 48V phantom power; ■ 1 auxiliary send and 1 set of stereo auxiliary return, 1 stereo output; ■ Built-in 16DSP digital effects, MP3 playback and Bluetooth capabilities;
179.00€
6 Ch Mixer 3-band frequency equalizer for all MONO input channel: Ultra low-noise discrete Mic pre-amplifier on all microphone inputs; MONO channel could connect to low-cut filter for reducing low frequency disturbance. Stereo play in and stereo record out. Nimble control output and microphone monitor. Peak indicator for mono channels. Built-in +48V phantom power for condenser microphone. MONO INPUT: 2 STEREO INPUT: 2 EFF PROCESSOR: DELAY-EFFECT DLGITAL PROCESSOR ŠALJEMO NA ADRESU!!!
75.00€
lnputs Number Input modes Gonnector lnput lmpedance Rated lnput level Mono MIC lN 2~4 Balanced XLR 2Kohm -60d8 Mono LINE lN 2~4 Balanced 3-poles TRS 47Kohm -40d8 UR LINE IN 2 Unbalanced 2 TRS 1OKohm -10dB UR PI.AY IN 1 Unbalanced 2 RCA 1OKohm -10dB Outputs Number Outputs modes Gonnector Outputs lmpedance Rated Output level Stereo MAIN OUT 1 Unbalanced 2 TRS 75ohm +4dB CTRL RM 1 Unbalanced 2 TRS 75ohm +4dB AUX SEND 1 Unbalanced TRS 75ohm +4dB Stero REC OT 1 Unbalanced 2 RCA 1 Kohm -1odB HEADPHONE 1 Unbalanced 3-poles TRS 75ohm 3mW @35ohm Channel EQ Hl 12KHz MID 2.5KHz LOW 80Hz max equalizing value +i-15dB Low cut filter 80Hz 18dB/OCT Total harmonic distortion <0.1o/o @+t+Og 20-20000H2 620ohm load Frequency response +11-2dB @+4dB 20-20000H2620ohm load Max out level +20d8 @0.5%THD l KHz 620ohm load Microphone preamp E.l.N -124d8 @ 150ohm , at max gain Power See the label on the adapter Power consumption 7W ŠALJEMO NA ADRESU!!!
129.00€
2~4 mono input channels and 2 stereo input channels. 3-band frequency equalizer for each input channels. Adopt low-noise discrete Mic pre-ampfier on microphone inputs. Optional low cut filter to reduce low frequency interfere for mono input channels. 2 stereo inputs with 10dB input and record output. Flexible monitor out and headphones output. Peak indicator on each mono channel. Provide +48V phantom power for condenser microphone. Have a built-in 16 presets DSP effect processor.
139.00€
6-channel Analogue Mixer with Digital Effects, Bluetooth compatible.
129.00€
PA mixer, 19", 4mo+4st ch, 2sub, 1USB, DSP-eff
359.00€
BEHRINGER XENYX 1002FX (XENYX 1002FX)
Premium 10-Input 2-Bus Mixer with XENYX Mic Preamps, British EQs and 24-Bit Multi-FX ProcessorPremium ultra low-noise, high headroom analog mixer2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preampsNeo-classic "British" 3-band EQs for warm and musical soundStudio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effectsFX send control per channel for internal FX processor and/or as external sendMain mix outputs plus separate control room, phones and stereo CD/tape outputsCD/tape inputs assignable to main mix or control room/phones outputsLong-wearing 60-mm logarithmic-taper fader and sealed rotary controlsHigh-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER GermanyFrom basic rock to rootsy folk, the XENYX 1002FX lends immeasurable vibe to intimate performances with an internal 24-bit FX processor. It's light, easy to use and waiting to make your next performance three-dimensional.Inspiration In, Brilliance OutThe 10-input, 2-bus XENYX 1002FX has two XENYX mic preamps with +48 V phantom power, making it possible to use two dynamic or condenser microphones. The three-band British EQ is famous for its warm, musical sound. Simple, high-quality controls make it possible to create beautiful mixes with minimal technical expertise.The Ins and OutsThe XENYX 1002FX has 10 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.Built-in Digital Effects ProcessorAdd some digital trickery to your sound using the internal FX processor. You can also connect an outboard device to apply additional effects to any channel.Compact MagicWeighing in at just 2.3 pounds, the XENYX 1002FX is the portable, practical way to turn a small performance with two vocalists into a mesmerizing event. Keep it casual, or dress it up in a 24-bit digital ball gown – with the XENYX 1002FX, anything is possible.ValueLending optimum sound quality to small-scale performances has never been this easy or affordable. The XENYX 1002FX provides extreme versatility at a price other mixers in this class simply cannot touch.
From basic rock to rootsy folk, the XENYX 1002FX lends immeasurable vibe to intimate performances with an internal 24-bit FX processor. It's light, easy to use and waiting to make your next performance three-dimensional.
119.00€
BEHRINGER XENYX Q1002USB (XENYX Q1002USB)
XENYX Q1002USBPremium 10-Input 2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs and USB/Audio InterfacePremium ultra-low noise, high headroom analog mixer2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preampsStudio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental soundBuilt-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.comNeo-classic "British" 3-band EQs for warm and musical sound1 post fader FX send per channel for external FX devicesMain mix outputs plus separate control room, phones and 2-Track outputs2-Track inputs assignable to main mix or control room/phones outputFX to control room function helps to monitor effect signal via headphones and control room outputsConceived and designed by BEHRINGER GermanyThe ultra-compact XENYX Q1002USB mixer’s 10 Inputs (2 mic, 4 stereo) allow you to effortlessly achieve premium- quality sound, thanks to 2 onboard studio-grade XENYX Mic Preamp and ultra-musical “British” channel EQ. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQ and superb ease of use – and the Q1002USB becomes an incredibly versatile mixer for your live performances.But the XENYX Q1002USB isn’t just designed to handle your live gigs; it also provides the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with its built-in USB/audio interface, the Q1002USB mixer comes with all the recording and editing software needed to turn your computer system into your own personal high- performance home recording studio.Sonically Superior Mic PreampsThe XENYX Q1002USB gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX Q1002USB provides such transparent, crystal- clear performance you just might think someone upgraded your mics while you weren’t looking.One-Knob CompressionAsk professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our “one- knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on the XENYX Q1002USB mixer.Sublimely Musical British EQThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on your XENYX Q1002USB mixer is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.The Ins and OutsThe 10-input, 2-bus XENYX Q1002USB can accommodate either a dynamic or condenser microphone, thanks to available Phantom Power. The 3-band British EQ is famous for its warm, musical sound. Play music between sets via the 2-Track Inputs (main mix or control room/phones assignable) and record your performance to an outboard recording device via the RCA outputs.Small is BeautifulWeighing in at a mere 2.4 pounds (1.1 kg), the XENYX Q1002USB is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, restaurants and songsmiths the world over agree this mighty mite is a high-fidelity lifesaver.Amazing ValueNo matter what your audio mixing needs, the XENYX Q1002USB provides the performance and features that can take your talent to the next level, at a price sure to amaze you. Professional sound quality, our legendary XENYX mic preamp with our “one-knob” compressors and available Phantom Power, British-style EQ and rugged reliability make XENYX Q1002USB ideal for both your live gigs and recording. Try one on today – we have one available in your size!
Premium 10-Input 2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs and USB/Audio Interface
139.00€
JBSYSTEMS MIX5.2 (MIX5.2)
Description2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch)Each zone has 3band tone controls, balance, volume and mono/stereo switch11 inputs on 5 Channels (5 balanced mic + 4line + 2phono)1Microphone with 3band tone control and zone assignable adjustable talkover.Every Channel can be assigned to zone A, zone B or both.Every Channel has individual peak and signal present leds.Gain levels and 45mm faders on all channelsPFL with rotary selector, cue level adjustment and 6.3mm headphones jack.2 independent record outputs without Channel1 microphone and free from talkover mutingTechnical InformationMic Input 1,5mV/10kOhmPhono Input 3mV/47kOhmLine Input 150 mV/22 kOhmS/N Ratio >85 dB/1 kHzMaster A/B Output 1,5V/4 kOhm unbalanced850mV/600 Ohm balancedFrequency Response20-20.000 Hz (±2dB)Tone Control -12 dB, +12dB Phones 1V/32 OhmDimensions (mm) 134/H x 483/W x 130/D (19"/3U)
2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch), Each zone has 3band tone controls, balance, volume and mono/stereo switch, 11 inputs on 5 Channels (5 balanced mic + 4line + 2phono), 1Microphone with 3band tone control and zone assignable adjustable talkover.
259.00€
JBSYSTEMS SMI 84 (JBSYSTEMS SMI 84)
DescriptionThe perfect all-round zone mixer for pubs, bars, hotel, restaurants, …Easy operation, focused on inexperienced users (advanced settings on rear panel)4 Totally independent zones:1 Stereo zone:Balanced XLR + Euroblock connectors and RCA/cinchmaster mixVolume with max. level trimming3band tone control (rear panel)2x 10segment level metersSeparate talkover for both mics (rear panel)3 mono zones, each with:Balanced XLR + Euroblock connectorsIndividual source select + master mixVolume with max. level trimming2band tone control (rear panel)5segment level metersSeparate talkover for both mics (rear panel)Mics can be included/excluded for each zone (rear panel)100Hz HP-filter to protect small speakers (rear panel)6 Input channels, with input selection on rear panel (7line + 2phono + 2USB)2 Microphones with 3band tone control and zone assignable, adjustable talkover.CH1: 3,5mm line input available on the front panelCH6: balanced PA-mixer input (front + rear panel)Every Channel has individual peak and signal present leds.Gain levels, PFL and smooth 45mm PRO-faders on all channels2 Record outputs: 1 cinch + 1 USB“Output mute" input on Euroblock connector (closed contact = mute)Emergency input with level control on Euroblock connector: any emergency messagewill be sent to all zones, while automatically muting all input channels.Technical InformationPower Supply: AC 220V – 250V / 50HzFuse: 20mm glass fuse 250V 500mA slowFrequency response: 20-20.000Hz (+/-1dBu)THD + noise:S/N Ratio (IHF-A): >82dB @ 1kHz.Micro inputs: 1.5mV @ 10kΩLine/CD inputs: 150mV @ 22kΩPhono inputs: 3mV @ 47kΩRecord output: 775mV @ 600ΩMaster output: 1.5V @ 4k7Ω unbal.Master output: 850mV @ 600Ω bal.Dimensions: 483(W) x 134(H) x 184(D) mmWeight: 4,2kg

The perfect all-round zone mixer for pubs, bars, hotel, restaurants, … Easy operation, focused on inexperienced users (advanced settings on rear panel) 4 Totally independent zones: 1 Stereo zone: Balanced XLR + Euroblock connectors and RCA/cinch master mix Volume with max. level trimming 3band tone control (rear panel) 2x 10segment level meters Separate talkover for both mics (rear panel) 3 mono zones, each with: Balanced XLR + Euroblock connectors Individual source select + master mix Volume with max. level trimming 2band tone control (rear panel) 5segment level meters Separate talkover for both mics (rear panel) Mics can be included/excluded for each zone (rear panel) 100Hz HP-filter to protect small speakers (rear panel)
425.00€
MACKIE 1202 VLZ4 (1202 VLZ4)
Mackie 1202 VLZ4 12 Channel Mixer - Onyx Mic Preamps, 4x mono mic/line xlr/jack inputs, 4x stereo line jack thomann inputs, 2x stereo aux returns, 2x aux sends, 4x inserts, 3-band EQ, 18dB high pass filter, PFL, 48V phantom power, internal power supply. Dimensions: 303 x 75 x 284mm (WxHxD); weight: 3kg.
Mackie 1202 VLZ4 12 Channel Mixer - Onyx Mic Preamps, 4x mono mic/line xlr/jack inputs, 4x stereo line jack thomann inputs, 2x stereo aux returns, 2x aux sends, 4x inserts, 3-band EQ, 18dB high pass filter, PFL, 48V phantom power, internal power supply. Dimensions: 303 x 75 x 284mm (WxHxD); weight: 3kg.
290.00€
MACKIE 1402 VLZ4 (1402 VLZ4)
Mackie 1402 VLZ4, 14 channel mixer, VLX 4 Onyx Mic Preamps, 6x mono mic/line inputs (XLR/jack), 4 stereo line thomann inputs (jack), 2x stereo aux returns, 2x aux sends, 6x inserts, 3 band EQ, 18db lo-cut filter, PFL, 48V phantom power, internal power supply, balanced master outputs (XLR/jack), Dimensions (H x W x D): 81 x 356 x 329mm, Weight: 4.5Kg,
Mackie 1402 VLZ4, 14 channel mixer, VLX 4 Onyx Mic Preamps, 6x mono mic/line inputs (XLR/jack), 4 stereo line thomann inputs (jack), 2x stereo aux returns, 2x aux sends, 6x inserts, 3 band EQ, 18db lo-cut filter, PFL, 48V phantom power, internal power supply, balanced master outputs (XLR/jack), Dimensions (H x W x D): 81 x 356 x 329mm, Weight: 4.5Kg,
390.00€
MACKIE 1604 VLZ4 (1604 VLZ4)
16-Channel MixerThe legendary 1604VLZ4 compact mixer now combines the renowned Onyx preamps and with the high signal-to-noise ratio, for which Mackie has been known for a long time. All 16 channels provide Onyx preamps, line inputs and inserts in a compact 4-bus design for professional application in different fields. Moreover the 1604VLZ4 impresses with its solid design as well as with a high contrast coloring of the ergonomic surface, enabling simple and intuitive handling. The Mackie 1604, through its use in several broadcast stations and post production studios and because it is the most used band mixer, has a unique selling point in the world of compact mixers.Specifikacija16 Mono microphone/ line inputs (XLR/ jack)4 Stereo Aux returns6 Aux sends16 Channel inserts8 Direct outputs3-Band EQ with parametrical midsLow cut filter 18 dBPFLVLZ 4 Onyx preamps48V phantom powerIntegrated power adaptor4 SubgroupsMaster insertSymmetrical jack outputDimensions (WxHxD): 445 x 129 x 440 mmWeight: 9.1 kg19'' rack mount included


Now featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago.
899.00€
MACKIE 1642 VLZ4 (1642 VLZ4)
The Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer delivers the proven performance of Onyx preamps in a compact 4-bus mixer design, suitable for bands, clubs, and more. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like an expanded return section for no-hassle system integration and a dedicated control room section, the 1642VLZ4 16-Channel 4-Bus Compact Mixer is the go-to mixer choice for any application that demands flexibility and professional performance.NoiseMain Mix Noise:Main Mix Fader @ Unity, Channel Faders Down: -86.5 dBu (92 dB signal-to-noise ratio, ref +4 dBu)Main Mix Fader @ Unity, Channel Faders @ Unity: -86 dBu(20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)Total Harmonic Distortion (THD)Microphone In to Insert Send: <0.0007%(1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth)Crosstalk / AttenuationChannel Mute Switch Engaged & Channel Gain Knob Down: -82 dBu(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain @ unity)Frequency ResponseMicrophone Input to Main Output (Gain @ Unity):+0, -1 dB, 20 Hz to 50 kHz+0, -3 dB, 100 kHzEquivalent Input Noise150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHzMicrophone input to insert send out, maximum gainCommon Mode Rejection RatioBetter than -70 dB @ 1 kHzMaximum LevelMicrophone In: +22 dBuAll Other Inputs: +22 dBuMain Mix TRS Out & XLR Out: +28 dBuAll Other Outputs: +22 dBuImpedanceMicrophone In: 2.5 kΩChannel Insert Return: 2.5 kΩAll Other Inputs: 10 kΩ or greaterTape Out: 1.1 kΩAll Other Outputs: 120 ΩEqualizer3-Band EQ (Channel 1 to 8):High Shelving: ±15 dB @ 12 kHzMid Peaking: ±15 dB sweep 100 Hz to 8 kHzLow Shelving: ±15 dB @ 80 HzLow Cut Filter: 18 dB/octave, -3 dB @ 75 Hz4-Band EQ (Channel 9 to 16):High Shelving: ±15 dB @ 12 kHzHi Mid Peaking: ±15 dB @ 2.5 kHzLow Mid Peaking: ±15 dB @ 400 HzLow Shelving: ±15 dB @ 80 HzLow Cut Filter: 18 dB/octave, -3 dB @ 75 HzPower Consumption50 W, 100 to 120 VAC/ 200 to 240 VAC, 50 to 60 HzOperating Temperature32 to 104°F (0 to 40°C)Fuse Rating100 to 120V: 1 A slo blo, 5 x 20 mm220 to 240V: 0.5 A slo blo, 5 x 20 mmDimensions (H x W x D)16.7 x 16.6 x 5.2" (425.0 x 421.0 x 131.0 mm)Weight18.2 lb (8.3 kg)Packaging InfoPackage Weight24.0 lbBox Dimensions (LxWxH)20.5 x 20.5 x 9.5"

Mackie 1642 VLZ4 Mikseta sa 10 mikrofonskih i 4 linijska stereo ulaza, ONYX pre-ampi - odlicna za bendove, klubove itd.
699.00€
MACKIE 2404-VLZ4 (2404-VLZ4)
Mackie 2404VLZ4 24-channel Mixer at a Glance:Premium-quality mixer with proven componentsSealed rotary controls ensure long-term reliabilityIncredible sound qualityBuilt-in 32-bit RMFX+ EffectsEasy recording with built-in 24-bit USB audio interfacePremium-quality mixer with proven componentsThe Mackie 2404VLZ4 is, first and foremost, a Mackie mixer. It houses 20 of Mackie's premium-quality Onyx mic preamps for natural, transparent sound. Its mic/line channels are equipped with 3-band EQ with sweepable mids. Signal routing is easy and flexible. On top of all that, the Mackie 2404VLZ4 is built Mackie-tough - trust this mixer to perform even in the most harrowing situations.Sealed rotary controls ensure long-term reliabilitySure, the Mackie 2404VLZ4 mixer will shrug off bumps, drops, and outright abuse, but what about spills or rain? Thankfully, the 2404VLZ4 boasts sealed rotary controls that resist grime, dust, and anything else that may spill onto your mixer. We're not saying it's fully waterproof, but it's an extra level of protection you'll eventually be very glad you have when you're running live sound in a hectic environment.Incredible sound qualityVLZ stands for "very low noise", and that's just part of the appeal of the Mackie 2404VLZ4 mixer. In all you've got a 128.5dB dynamic range, making it easy to achieve full, punchy mixes. The Onyx mic preamps have a 60dB gain range, so you can get the best out of virtually any microphone. And because the 2404VLZ4's line inputs handle +22 dBu signal levels, you can connect high-output sound sources without worrying about distorting your inputs.Built-in 32-bit RMFX+ EffectsThe Mackie 2404VLZ4 mixer packs 32-bit RMFX+ effects processing, and you can use Aux 5 and Aux 6 on any channel to easily route it to the effects. From spacious reverbs and epic delays to rich chorus and other ear candy, you've got the tools you need to add that extra polish to your sound.Easy recording with built-in 24-bit USB audio interfaceJust connect your laptop to the Mackie 2404VLZ4 via USB and you'll be able to record your show with a minimum of fuss. Stream up to four subgroups or the master L/R mix to your computer for recording. You can even use your favorite plug-ins as live processors via Auxes 5/6! You can also return a stereo signal from your computer to the board for playback, or even to a mixer channel to use EQ and monitoring sends. The point is, the Mackie 2404VLZ4 gives you more options than you've ever had with a VLZ mixer.Mackie 2404VLZ4 24-channel Mixer Features:Amazingly rugged analog mixer with 20 microphone preamplifiersOnyx mic preamps offer up to 60dB of gain for great performance with any micUltra-low-noise performance gives you clean, clear soundHigh-resolution stereo meters give you fast, easy visual indication of your signal levelsSealed rotary controls resist dust and grimeFour-bus design and intuitive routing make it easy to create submixes for easier, faster mixingDual FX processors make it easy to add studio-quality effects to your show4 x 2 USB audio interface makes it easy to capture high-quality 24-bit recordingsUSB connection can also be used for computer audio playback, or even plug-in effectsIt's hard to beat the sound and performance of the Mackie 2404VLZ4!Type:AnalogChannels:24Computer Connectivity:USB (4 x 2)Faders:27 x 60mm ThrowInputs - Mic Preamps:20 x XLRPhantom Power:20Inputs - Line:24 x TRS (20 x Mono, 2 x Stereo Pairs)Inputs - Other:2 x RCA (Tape)Outputs - Main:2 x XLR (Stereo), 1 x XLR (Mono)Outputs - Other:2 x RCA (Tape), 2 x TRS (Monitor, Stereo), 1 x TRS (Monitor, Mono)USB:1 x Type BEQ Bands:3-band, Sweepable MidEffects:YesAux Sends:4 x Pre/Post, 2 x Post/FXSend/Return I/O:6 x TRS (Send), 4 x TRS (Stereo Returns)Busses/Groups:4 x BusChannel Inserts:YesHeadphones:1 x 1/4"Talkback:YesHeight:6"Width:29.4"Depth:19.1"Weight:31.0 lbs.


Mackie is a Proven Leader in Analog Mixers Beyond sounding great, the Mackie 2404VLZ4 mixer is one piece of gear you can truly rely on. It continues the VLZ Series' trend for rock-solid construction, while taking your sound quality to a new level. You've got an amazingly wide dynamic range, incredible 60dB gain range on the Onyx microphone preamplifiers, and ultra-low-noise performance. The 2404VLZ4 also boasts effects DSP with two internal FX sends, and even a 4 x 2, 24-bit USB audio interface for easy, high-quality recording. And with high-resolution meters, generous I/O, and sealed rotary controls that keep out dust and grime, the Mackie 2404VLZ4 is one of Mackie's best mixers ever.
1,139.00€
MACKIE 402 VLZ4 (402 VLZ4)
Mackie 402 VLZ4 - 4-channel mixer, Onyx Mic Preamps, 2x mono mic/line inputs, 1x stereo line input, 2-band EQ, thomann low cut filter, 48V phantom power, Optional Case 250476
Mackie 402 VLZ4 - 4-channel mixer, Onyx Mic Preamps, 2x mono mic/line inputs, 1x stereo line input, 2-band EQ, thomann low cut filter, 48V phantom power, Optional Case 250476
110.00€
MACKIE 802-VLZ4 (802-VLZ4)
Mackie 802VLZ4 8-channel Mixer at a Glance:Premium-quality mixer with proven componentsSealed rotary controls ensure long-term reliabilityIncredible sound qualityPremium-quality mixer with proven componentsThe Mackie 802VLZ4 is, first and foremost, a Mackie mixer. It houses three of Mackie's premium-quality Onyx mic preamps for natural, transparent sound, and three stereo channels. Its mic/line channels are equipped with a 3-band EQ. Signal routing is easy and flexible. On top of all that, the Mackie 802VLZ4 is built Mackie-tough - trust this mixer to perform even in the most harrowing situations.Sealed rotary controls ensure long-term reliabilitySure, the Mackie 802VLZ4 mixer will shrug off bumps, drops, and outright abuse, but what about spills or rain? Thankfully, the 802VLZ4 boasts sealed rotary controls that resist grime, dust, and anything else that may spill onto your mixer. We're not saying it's fully waterproof, but it's an extra level of protection you'll eventually be very glad you have when you're running live sound in a hectic environment.Incredible sound qualityVLZ stands for "very low noise", and that's just part of the appeal of the Mackie 802VLZ4 mixer. In all you've got a 128.5dB dynamic range, making it easy to achieve full, punchy mixes. The Onyx mic preamps have a 60dB gain range, so you can get the best out of virtually any microphone. And because the 802VLZ4's line inputs handle +22 dBu signal levels, you can connect high-output sound sources without worrying about distorting your inputs.Mackie 802VLZ4 8-channel Mixer Features:Amazingly rugged analog mixer with three microphone preamplifiers and three stereo channelsOnyx mic preamps offer up to 60dB of gain for great performance with any micUltra-low-noise performance gives you clean, clear soundHigh-resolution stereo meters give you fast, easy visual indication of your signal levelsSealed rotary controls resist dust and grimeIt's hard to beat the sound and performance of the Mackie 802VLZ4!TypeAnalogChannels8Inputs - Mic Preamps3 x XLRInputs - Line2 x 1/4" (CH 1-2), 6 x 1/4" (CH 3-8 Stereo), 2 x RCA (Tape)Inputs - Other2 x Stereo (RCA)Outputs - Main2 x XLR, 2 x 1/4"Outputs - Other2 x RCA (Tape), 2 x 1/4" (Alt), 2 x 1/4" (Control Room)Headphones1 x 1/4"Send/Return I/O1 x 1/4" (Send), 2 x 1/4" (Return)Phantom Power3EQ Bands3-bandAux Sends1 x PreBusses/GroupsAlt 3-4Channel InsertsYes (CH 1-2)Height1.8"Width8.9"Depth10.7"Weight5.5 lbs.

Mackie 802-VLZ4 8-ch Analog Mixer with 3 Onyx Mic Preamps, 3 x Stereo Channels, and 1 x Aux Sends Per Channel
215.00€
MACKIE Mix5 (Mix5)
Mackie Mix5, 5-Channel compact Mixing Console, 1 Mic-Input with 2 Band EQ incl. Phantom-Power, 2 Stereo-Channels without EQ, thomann bal. Main Out/TRS, Headphone-Out, Tape In/Out

Mackie Mix5, 5-Channel compact Mixing Console, 1 Mic-Input with 2 Band EQ incl. Phantom-Power, 2 Stereo-Channels without EQ, thomann bal. Main Out/TRS, Headphone-Out, Tape In/Out
59.00€
MACKIE ProFX12 V2 (ProFX12 V2)
Tech Specs
Type    Analog
Channels    12
Inputs - Mic Preamps    6 x XLR
Inputs - Line    12 x TRS
Inputs - Other    1 x stereo RCA, 1 x 1/4" (Footswitch)
Outputs - Main    2 x XLR, 2 x TRS
Outputs - Other    1 x stereo RCA
Headphones    1 x 1/4"
Send/Return I/O    1 x 1/4" (Mon Send), 1 x 1/4" (FX Send), 2 x 1/4" (Stereo Return)
Phantom Power    6 Channels
EQ Bands    3-band
Faders    12 x 60mm Throw
Channel Inserts    Yes
Effects    Yes
Computer Connectivity    1 x USB
Rackmountable    Yes
Height    3.6"
Width    14.6"
Depth    14.1"
Weight    9 lbs.

ŠALJEMO NA ADRESU!!!
Tech Specs Type Analog Channels 12 Inputs - Mic Preamps 6 x XLR Inputs - Line 12 x TRS Inputs - Other 1 x stereo RCA, 1 x 1/4" (Footswitch) Outputs - Main 2 x XLR, 2 x TRS Outputs - Other 1 x stereo RCA Headphones 1 x 1/4" Send/Return I/O 1 x 1/4" (Mon Send), 1 x 1/4" (FX Send), 2 x 1/4" (Stereo Return) Phantom Power 6 Channels EQ Bands 3-band Faders 12 x 60mm Throw Channel Inserts Yes Effects Yes Computer Connectivity 1 x USB Rackmountable Yes Height 3.6" Width 14.6" Depth 14.1" Weight 9 lbs. ŠALJEMO NA ADRESU!!!
285.00€
MACKIE PROFX30v2 (PROFX30v2)
24 Microphone inputs / 24 Jack inputs4 Stereo channelsIntegrated effects processor with 16 effects7 Band graphic thomann EQ for main output or a monitorBuilt-in USB interface for recording and playback4 Aux Outputs4 SubgroupsCompressor3-Band EQ for all channels: 80 Hz, 2.5 kHz and 12 kHz100 Hz Low Cut filter60 mm Fader for the input channels, return and masters48 V Phantom powerHeadphone connectorUSB ConnectorConnector for footswitchIncl. recording thomann softwareEquivalent Input Noise150 ohm source impedance, 20 Hz to 20 kHz:Mic in to insert send out, max gain -128 dBuResidual Output NoiseAll outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -85 dBuFrequency ResponseMic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHzTHD+N22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%Attenuation and CrosstalkAdjacent Inputs @ 1 kHz: -90 dBInputs to Outputs @ 1 kHz: -80 dBFader Off @ 1 kHz: -75 dBMute Switch / Break Switch Mute @ 1 kHz: -100 dBCommon Mode Rejection RatioMic In to Main Out, max gain, 1 kHz: 70 dBMaximum LevelAll inputs: +22 dBMain Out XLR: +28 dBuAll other outputs: +22 dBuImpedanceMic In 3.3 kOhmsChannel Insert Return 10 kOhmsAll other inputs ≥ 20 kOhmsTape output 1 kOhmsPhones output 25 ohmsAll other outputs 120 ohms unbalanced, 240 ohms balancedEqualizationMono Channels:Low ±15 dB @ 80 HzMid ±15 dB @ 100 Hz - 8 kHzHigh ±15 dB @ 12 kHzLow Cut Filter 18 dB/octave @ 100 HzStereo ChannelsLow ±15 dB @ 80 HzMid ±15 dB @ 2.5 kHzHigh ±15 dB @ 12 kHzMaximum Voltage GainMic Input Channel to:Insert Output: 50 dBTape Output: 60 dBUSB Output: 60 dB1/4" Main Output: 70 dBXLR Main Output: 76 dBMonitor Send: 81 dBFX Send: 90 dBMono Line Input Channel to:Insert Output: 30 dBTape Output: 40 dBUSB Output: 40 dBXLR Main Output: 56 dBMonitor Send: 61 dBFX Send: 70 dBStereo Line Input Channel to:Tape Output: 30 dBUSB Output: 30 dBXLR Main Output: 46 dBMonitor Send: 51 dBFX Send: 55 dBTape Input to:XLR Main Output: 36 dBUSB Input to:XLR Main Output: 36 dBStereo Return to:Mon Output: 30 dBXLR Main Output: 26 dBDigital EffectsI/O: mono input / stereo outputNumber of Presets: 16MetersMain L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30Channel OL LED:Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBuGraphic EQFrequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8kGain: ±15 dBAssignable to Main or Monitor, bypassableUSBUSB Recording to Computer (Mac & PC)Phantom Power48 VDC to all mic channels simultaneouslyAC Power RequirementsPower Consumption: 50 wattsUniversal AC Power Supply: 100 - 240 VAC, 50 - 60 HzClass II Detachable Line Cord: YesOperating Temperature32 - 104˚F (0 - 40˚C)Dimensions3.8 x 33.6 x 16.6" (97 x 853 x 422 mm)Weight25 lb (11.4 kg)Packaging InfoPackage Weight35.5 lbBox Dimensions (LxWxH)38.0 x 21.5 x 9.5"
Mackie PROFX30v2 Mikseta sa 24 mikrofonskih i 4 linijska stereo ulaza, sa FX procesorom.
990.00€
MACKIE PROFX4v2 (PROFX4v2)
2 Low-noise Mackie Vita microphone inputs XLR / Jack1 Stereo channelHi-Z connector for direct hook-up of a guitar or other instruments2 Band EQ in all channels: 80 Hz and 12 kHz100 Hz low-cut filterIntegrated effects units with 16 effects5 Band graphic EQ for main output or a monitor2 Aux Outputs48 V-Phantom powerStereo RCA connector in- and output with level controlHeadphone connector with level controlSolid steel chassisABS side protectionEquivalent Input Noise150 ohm source impedance, 20 Hz to 20 kHz:Mic in to FX send, max gain -128 dBuResidual Output NoiseAll outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -85 dBuFrequency ResponseMic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHzTHD+N22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%Attenuation and CrosstalkAdjacent Inputs @ 1 kHz: -80 dBInputs to Outputs @ 1 kHz: -80 dBFader Off @ 1 kHz: -80 dBCommon Mode Rejection RatioMic In to Main Out, max gain, 1 kHz: 70 dBMaximum LevelAll inputs: +22 dBMain Out: +22 dBuAll other outputs: +22 dBuImpedanceMic In 3.8 kOhmsAll other inputs ≥ 20 kOhmsTape output 1 kOhmsPhones output 25 ohmsAll other outputs 120 ohms unbalanced, 240 ohms balancedEqualizationLow ±15 dB @ 80 HzHigh ±15 dB @ 12 kHzLow Cut Filter 18 dB/octave @ 100 HzMaximum Voltage GainMic Input Channel to:Insert Output: 50 dBTape Output: 60 dB1/4" Main Output: 70 dBXLR Main Output: 76 dBMonitor Send: 76 dBFX Send: 75 dBMono Line Input Channel to:Insert Output: 30 dBTape Output: 40 dBXLR Main Output: 56 dBMonitor Send: 56 dBFX Send: 55 dBStereo Line Input Channel to:Tape Output: 30 dBXLR Main Output: 46 dBMonitor Send: 46 dBFX Send: 45 dBTape Input to:Main Output: 30 dBDigital EffectsI/O: mono input / stereo outputNumber of Presets: 16MetersMain L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30Graphic EQFrequency Centers [5-Band]: 80, 250, 800, 2.5k, 8kGain: ±15 dBAssignable to Main or Monitor, bypassablePhantom Power48 VDC to all mic channels simultaneouslyAC Power RequirementsUniversal AC Power Supply: 100 - 240 VAC, 50 - 60 HzClass I Hard-Wired Wall Wart: [12 VDC @ 1.5 A]Operating Temperature32 - 104˚F (0 - 40˚C)Dimensions2.9 x 8.7 x 10.1" (73 x 220 x 256 mm)Weight3.2 lb (1.4 kg)Packaging InfoPackage Weight4.9 lbBox Dimensions (LxWxH)13.4 x 11.1 x 4.2"
Mackie PROFX4v2 Mikseta sa 2 mikrofonska i 1 linijskim stereo ulazom, sa FX procesorom.
140.00€
MACKIE PROFX8v2 (PROFX8v2)
4 Microphone inputs / 4 Jack inputs3 Stereo channels1 Stereo ReturnIntegrated multi-effects processor with 16 effects7 Band graphic EQ for main output or monitorBuilt-in USB interface for recording and playback2 AUX outputs3-Band EQ for all channels: 80 Hz, 2.5 kHz and 12 kHzHi-Z connecter for direct hook-up of a guitar or other instruments100 Hz Low cut filter48 V Phantom powerHeadphone connectorUSB ConnectorConnector for footswitchIncl. recording softwareEquivalent Input Noise150 ohm source impedance, 20 Hz to 20 kHz:Mic in to insert send out, max gain -125 dBuResidual Output NoiseAll outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -80 dBuFrequency ResponseMic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 30 kHzTHD+N22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.03%Attenuation and CrosstalkAdjacent Inputs @ 1 kHz: -90 dBInputs to Outputs @ 1 kHz: -80 dBFader Off @ 1 kHz: -75 dBMute Switch / Break Switch Mute @ 1 kHz: -90 dBCommon Mode Rejection RatioMic In to Main Out, max gain, 1 kHz: 70 dBMaximum LevelAll inputs: +22 dBMain Out XLR: +28 dBuAll other outputs: +22 dBuImpedanceMic In 3.8 kOhmsChannel Insert Return 10 kOhmsAll other inputs ≥ 20 kOhmsTape output 1 kOhmsPhones output 25 ohmsAll other outputs 120 ohms unbalanced, 240 ohms balancedEqualizationLow ±15 dB @ 80 HzMid ±15 dB @ 2.5 kHzHigh ±15 dB @ 12 kHzLow Cut Filter 18 dB/octave @ 100 HzMaximum Voltage GainMic Input Channel to:Insert Output: 50 dBTape Output: 60 dBUSB Output: 50 dB1/4" Main Output: 70 dBXLR Main Output: 76 dBMonitor Send: 76 dBFX Send: 90 dBMono Line Input Channel to:Insert Output: 30 dBTape Output: 40 dBUSB Output: 30 dBXLR Main Output: 56 dBMonitor Send: 56 dBFX Send: 70 dBStereo Line Input Channel to:Tape Output: 30 dBUSB Output: 30 dBXLR Main Output: 46 dBMonitor Send: 46 dBFX Send: 60 dBTape Input to:XLR Main Output: 36 dBUSB Input to:XLR Main Output: 36 dBStereo Return to:XLR Main Output: 26 dBDigital EffectsI/O: mono input / stereo outputNumber of Presets: 16MetersMain L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30Channel OL LED:Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBuGraphic EQFrequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8kGain: ±15 dBAssignable to Main or Monitor, bypassableUSBUSB Recording to Computer (Mac & PC)Phantom Power48 VDC to all mic channels simultaneouslyAC Power RequirementsPower Consumption: 20 wattsUniversal AC Power Supply: 100 - 240 VAC, 50 - 60 HzClass II Detachable Line Cord: YesOperating Temperature32 - 104˚F (0 - 40˚C)Dimensions3.6 x 11.4 x 14.1" (91 x 290 x 358 mm)Weight7.1 lb (3.2 kg)Packaging InfoPackage Weight11.6 lbBox Dimensions (LxWxH)17.8 x 15.6 x 6.9"


Mackie PROFX8v2 Mikseta sa 4 mikrofonska i 3 linijska stereo ulaza, sa FX procesorom.
230.00€
MARTIN WISMAN HMX-604 (HMX-604)
SB ReaderThere isEffect Processor1 x 16 DSP Effect ProcessorTotal Channel8 ChannelsMono Channel6 MonoStereo Channel1 StereoPhantom Power+ 48VAux Output1 x AuxMaster Output2 x XLR & 2 x 6.3mm JackHeadphone Output1/4 inch 6.3mm JackCD / TapeL / R RCA Input + L / R RCA OutputChannel EQ & Controls4-BandMaster EQ & Controls2 x 7-BandFader60mm Logarithmic Sliding Fader
6 mono 1 stereo 16 x DSP deck mixer, USB reader, 1 aux, + 48V phantom, 2 x 7 band master EQ, 4 band channel EQ, 60mm logarithmic sliding fader, headphone output, xlr balance
139.00€
MARTIN WISMAN HMX-804 (HMX-804)
USB ReaderThere isEffect Processor1 x 16 DSP Effect ProcessorTotal Channel10 ChannelsMono Channel8 MonoStereo Channel1 StereoPhantom Power+ 48VAux Output1 x AuxMaster Output2 x XLR & 2 x 6.3mm JackHeadphone Output1/4 inch 6.3mm JackCD / TapeL / R RCA Input + L / R RCA OutputChannel EQ & Controls4-BandMaster EQ & Controls2 x 7-BandFader60mm Logarithmic Sliding Fader
8 mono + 1Stereo, Aux, Phantom, 16 Delay Effect, 2x7 Band EQ
169.00€
MARTIN WISMAN LKX-602 (LKX-602)
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Bandactive EQ(HIGH,MID ,LOW).Distortion under 0.0007%(20HZ-20KHZ). Phantom power for studio condenser mics.99 Kinds of parameter adjustable 24BIT DSP effects processor. ALT 3/4 stereo busfor added versatility.Precise 3 colors,6 band LED level display.MP3 player is compatible with multi audio format.Maximum levelsMic Input:30 dBuLine Input:21 dBuAll other input: 22 dBuMixer Rated OutputMain outs: +4 dBuAll other outs: +4 dBuMaximum output: 22 dBuFrequency responseMic input to main output+0, -1 dB,+0,-3 dB,Connection ImpedanceMic inputs:2k ohmsLine inputs: >10k ohmsOutputs: >100 ohmsEQ(each band): ±15dBMono Stereo Channel EQHigh:12kHzHigh mid: 2.5kHzLow: 80Hz
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Band active EQ(HIGH,MID ,LOW).
139.00€
Martin Wisman MF 1200 (MF 1200)
Ultra low noise 12 - Channel Mic / Line Mixer

-   12 Mono Input Channels with silver plated XLRs and balanced Line Inputs
-   Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
-   Extremely high headroom - offering more dynamic range
-   Balanced Inputs for highest signal integrity
-   Ultra-musical 3-band EQ+FREQ on all mono channels
-   Peak LEDs all Mono Channels
-   2 Aux Send per channel for external effects and monitoring
-   2X256DSP Digital of the effect system inside
-   Separate Master Mix, Headphone Outputs
-   2-Track Inputs assignable to Master Mix
-   Highly accurate 12 segment Bargraph Meters

INPUT CHANNEL SECTION
1. BALANCE INPUT (MIC)
Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power.
2. LINE INPUT
The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..)
3. INSERT
The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output.
4. TRIM
This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal.
5. LOW CUT
Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum.
6. HIGH
Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level.
7. FREQUENCY + MID
This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 
8. LOW
Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level.
9.AUX1.2
This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ.
10. EFX1.2
This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel.
11. PAN
The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses.
12. STEREO (L-R)
Push the switch, can use ST L-R fader.
During the stereo L-R switch pushed, you can't use ST L-R fader.
13. GRPS 1-2
Push the switch, can use GROUP 1-2 fader.
During the G1-2 switch pushed, you can't use stereo L-R fader.
14. PEAK
A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping.
15. CHANNEL FADER
This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. 

MASTER SECTION
16. EFFECT PROGRAMS
When adjust switch 17, 18, 19, 20 more effects are displayed.
17. Pre-set
Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program.
18. UP TAPE SWITCH
One push, one program up push with more than 5 seconds hi-speed program up.
19. DOWN TAPE SWITCH
One push, one program down, push with more than 5 seconds, hi-speed program down.
20. MUTE
Effect ON/OFF.
21. EFFECT STEREO (L/R)
Depressing this switch, can let the EFFECT you need connect to the main control buses.
22. EFFECT GROUP(1-2)
Push the switch, can let the EFFECT you need connect to the main group buses. 

ŠALJEMO NA ADRESU!!!
Ultra low noise 12 - Channel Mic / Line Mixer - 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
379.00€
Martin Wisman MF 800 (MF 800)
Ultra low noise 8 - Channel Mic / Line Mixer

-   8 Mono Input Channels with silver plated XLRs and balanced Line Inputs
-   Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
-   Extremely high headroom - offering more dynamic range
-   Balanced Inputs for highest signal integrity
-   Ultra-musical 3-band EQ+FREQ on all mono channels
-   Peak LEDs all Mono Channels
-   2 Aux Send per channel for external effects and monitoring
-   2X256DSP Digital of the effect system inside
-   Separate Master Mix, Headphone Outputs
-   2-Track Inputs assignable to Master Mix
-   Highly accurate 12 segment Bargraph Meters

INPUT CHANNEL SECTION
1. BALANCE INPUT (MIC)
Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power.
2. LINE INPUT
The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..)
3. INSERT
The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output.
4. TRIM
This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal.
5. LOW CUT
Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum.
6. HIGH
Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level.
7. FREQUENCY + MID
This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 
8. LOW
Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level.
9.AUX1.2
This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ.
10. EFX1.2
This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel.
11. PAN
The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses.
12. STEREO (L-R)
Push the switch, can use ST L-R fader.
During the stereo L-R switch pushed, you can't use ST L-R fader.
13. GRPS 1-2
Push the switch, can use GROUP 1-2 fader.
During the G1-2 switch pushed, you can't use stereo L-R fader.
14. PEAK
A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping.
15. CHANNEL FADER
This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. 

MASTER SECTION
16. EFFECT PROGRAMS
When adjust switch 17, 18, 19, 20 more effects are displayed.
17. Pre-set
Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program.
18. UP TAPE SWITCH
One push, one program up push with more than 5 seconds hi-speed program up.
19. DOWN TAPE SWITCH
One push, one program down, push with more than 5 seconds, hi-speed program down.
20. MUTE
Effect ON/OFF.
21. EFFECT STEREO (L/R)
Depressing this switch, can let the EFFECT you need connect to the main control buses.
22. EFFECT GROUP(1-2)
Push the switch, can let the EFFECT you need connect to the main group buses. 


ŠALJEMO NA ADRESU!!!
Ultra low noise 8 - Channel Mic / Line Mixer - 8 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
309.00€
Martin Wisman MX 102 (MX 102)
Pre-amplifier,10 channels input(chime inside)
With 10 input channels, each channel can be adjust independently.
MIC 1 has priority function, built-in chime function.
With 5 MICs, 3 AUX input , 3 line output,and 2 EMC inputs.
With independent volume control, uniform volme output.
Has one treble, one bass.

POWER SUPPLY:  230V
 
ŠALJEMO NA ADRESU!!!
Pre-amplifier,10 channels input(chime inside) With 10 input channels, each channel can be adjust independently. MIC 1 has priority function, built-in chime function. With 5 MICs, 3 AUX input , 3 line output,and 2 EMC inputs. With independent volume control, uniform volme output. Has one treble, one bass. POWER SUPPLY: 230V ŠALJEMO NA ADRESU!!!
88.00€
Martin Wisman MX 88 (MX 88)
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function
Can connect 8 units amplifiers external.
With 8 independent input and output channels without any interference. 
Each channel has independent volume control.
MIC 1 has priority function and can select any channel to output 
arbitrarily.
With chime function.

ŠALJEMO NA ADRESU!!!
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function Can connect 8 units amplifiers external. With 8 independent input and output channels without any interference. Each channel has independent volume control. MIC 1 has priority function and can select any channel to output arbitrarily. With chime function. ŠALJEMO NA ADRESU!!!
157.00€
MARTIN WISMAN MXD-401 (MXD-401)
■Ultra-low noise 4 channel input , 16DSP digital effect mixer;■ Ultra-musical 3-band EQ on all channels , 48V Phantom Power;■ 1 aux send,1 aux return, 1 Stereo master output;■ 16DSP effect & MP3 playing system screen, with bluetooth function
■ Built-in 16DSP digital effects mixer; ■ mono input channel 3-band equalization, 48V phantom power; ■ 1 auxiliary send and 1 set of stereo auxiliary return, 1 stereo output; ■ Built-in 16DSP digital effects, MP3 playback and Bluetooth capabilities;
159.00€
MARTIN WISMAN MXD-601 (MXD-601)
■ Built-in 16DSP digital effects mixer;■ mono input channel 3-band equalization, 48V phantom power;■ 1 auxiliary send and 1 set of stereo auxiliary return, 1 stereo output;■ Built-in 16DSP digital effects, MP3 playback and Bluetooth capabilities;■Ultra-low noise 6 channel input , 16DSP digital effect mixer;■ Ultra-musical 3-band EQ on all channels , 48V Phantom Power;■ 1 aux send,1 aux return, 1 Stereo master output;■ 16DSP effect & MP3 playing system screen, with bluetooth function
■ Built-in 16DSP digital effects mixer; ■ mono input channel 3-band equalization, 48V phantom power; ■ 1 auxiliary send and 1 set of stereo auxiliary return, 1 stereo output; ■ Built-in 16DSP digital effects, MP3 playback and Bluetooth capabilities;
179.00€
Martin Wisman MXM 602 (MXM 602)
6 Ch Mixer
3-band frequency equalizer for all MONO input channel:
Ultra low-noise discrete Mic pre-amplifier on all microphone inputs;
MONO channel could connect to low-cut filter for reducing low frequency disturbance.
Stereo play in and stereo record out.
Nimble control output and microphone monitor.
Peak indicator for mono channels.
Built-in +48V phantom power for condenser microphone.
 
MONO INPUT: 2
STEREO INPUT: 2
EFF PROCESSOR: DELAY-EFFECT DLGITAL PROCESSOR

ŠALJEMO NA ADRESU!!!
6 Ch Mixer 3-band frequency equalizer for all MONO input channel: Ultra low-noise discrete Mic pre-amplifier on all microphone inputs; MONO channel could connect to low-cut filter for reducing low frequency disturbance. Stereo play in and stereo record out. Nimble control output and microphone monitor. Peak indicator for mono channels. Built-in +48V phantom power for condenser microphone. MONO INPUT: 2 STEREO INPUT: 2 EFF PROCESSOR: DELAY-EFFECT DLGITAL PROCESSOR ŠALJEMO NA ADRESU!!!
75.00€
Martin Wisman MXM 602 EFX (MXM 602 EFX)
lnputs               Number            Input modes      Gonnector          lnput lmpedance            Rated lnput level
Mono MIC lN           2~4                  Balanced               XLR                      2Kohm                          -60d8
Mono LINE lN          2~4                  Balanced            3-poles TRS              47Kohm                         -40d8
UR LINE IN               2                Unbalanced             2 TRS                    1OKohm                         -10dB
UR PI.AY IN              1                Unbalanced             2 RCA                    1OKohm                        -10dB
 
Outputs             Number           Outputs modes     Gonnector         Outputs lmpedance       Rated Output level
 
Stereo MAIN OUT        1               Unbalanced               2 TRS                      75ohm                         +4dB
CTRL RM                    1               Unbalanced                2 TRS                      75ohm                         +4dB
AUX SEND                  1               Unbalanced                   TRS                     75ohm                         +4dB
Stero REC OT             1               Unbalanced                2 RCA                      1 Kohm                        -1odB
HEADPHONE               1               Unbalanced             3-poles TRS                 75ohm                        3mW @35ohm
 
Channel EQ                                 Hl 12KHz MID 2.5KHz LOW 80Hz max equalizing value +i-15dB
Low cut filter                                80Hz 18dB/OCT
Total harmonic distortion              <0.1o/o @+t+Og 20-20000H2 620ohm load
Frequency response                      +11-2dB @+4dB 20-20000H2620ohm load
Max out level                                +20d8 @0.5%THD l KHz 620ohm load
Microphone preamp E.l.N                -124d8 @ 150ohm , at max gain
Power                                            See the label on the adapter
Power consumption                         7W

ŠALJEMO NA ADRESU!!!
lnputs Number Input modes Gonnector lnput lmpedance Rated lnput level Mono MIC lN 2~4 Balanced XLR 2Kohm -60d8 Mono LINE lN 2~4 Balanced 3-poles TRS 47Kohm -40d8 UR LINE IN 2 Unbalanced 2 TRS 1OKohm -10dB UR PI.AY IN 1 Unbalanced 2 RCA 1OKohm -10dB Outputs Number Outputs modes Gonnector Outputs lmpedance Rated Output level Stereo MAIN OUT 1 Unbalanced 2 TRS 75ohm +4dB CTRL RM 1 Unbalanced 2 TRS 75ohm +4dB AUX SEND 1 Unbalanced TRS 75ohm +4dB Stero REC OT 1 Unbalanced 2 RCA 1 Kohm -1odB HEADPHONE 1 Unbalanced 3-poles TRS 75ohm 3mW @35ohm Channel EQ Hl 12KHz MID 2.5KHz LOW 80Hz max equalizing value +i-15dB Low cut filter 80Hz 18dB/OCT Total harmonic distortion <0.1o/o @+t+Og 20-20000H2 620ohm load Frequency response +11-2dB @+4dB 20-20000H2620ohm load Max out level +20d8 @0.5%THD l KHz 620ohm load Microphone preamp E.l.N -124d8 @ 150ohm , at max gain Power See the label on the adapter Power consumption 7W ŠALJEMO NA ADRESU!!!
129.00€
MARTIN WISMAN MXM 802 EFX (MXM 802 EFX)
lnputs Number Input modes Gonnector lnput lmpedance Rated lnput levelMono MIC lN 2~4 Balanced XLR 2Kohm -60d8Mono LINE lN 2~4 Balanced 3-poles TRS 47Kohm -40d8UR LINE IN 2 Unbalanced 2 TRS 1OKohm -10dBUR PI.AY IN 1 Unbalanced 2 RCA 1OKohm -10dBOutputs Number Outputs modes Gonnector Outputs lmpedance Rated Output levelStereo MAIN OUT 1 Unbalanced 2 TRS 75ohm +4dBCTRL RM 1 Unbalanced 2 TRS 75ohm +4dBAUX SEND 1 Unbalanced TRS 75ohm +4dBStero REC OT 1 Unbalanced 2 RCA 1 Kohm -1odBHEADPHONE 1 Unbalanced 3-poles TRS 75ohm 3mW @35ohmChannel EQ Hl 12KHz MID 2.5KHz LOW 80Hz max equalizing value +i-15dBLow cut filter 80Hz 18dB/OCTTotal harmonic distortion <0.1o/o @+t+Og 20-20000H2 620ohm loadFrequency response +11-2dB @+4dB 20-20000H2620ohm loadMax out level +20d8 @0.5%THD l KHz 620ohm loadMicrophone preamp E.l.N -124d8 @ 150ohm , at max gainPower See the label on the adapter
2~4 mono input channels and 2 stereo input channels. 3-band frequency equalizer for each input channels. Adopt low-noise discrete Mic pre-ampfier on microphone inputs. Optional low cut filter to reduce low frequency interfere for mono input channels. 2 stereo inputs with 10dB input and record output. Flexible monitor out and headphones output. Peak indicator on each mono channel. Provide +48V phantom power for condenser microphone. Have a built-in 16 presets DSP effect processor.
139.00€
PHONIC Celeus 200 (Celeus 200)
Bluetooth compatibleGraphic EQUSB Port and USB recorder/ playerMic preamps in audiophile quality with ultra-low noise performance and a frequency range of 20 Hz to 100,0002 Mono microphone inputs with 2x XLR/ 6.3 mm jack combo connectors and two stereo line input channelsCompressor/ expander to mono channels 1 - 2Integrated 32/40-Bit digital effects processor with 16 presets selectable by the user3-Band high, medium and low frequency shelving EQ on mono channels41 Segment LED level meter for master audio levelIndependent EFX control on each input channel-25 dB Pad for high-output audio sources (Ch. 1 - 2)Balanced stereo XLR main outputsStereo headphone jack with volume controlStereo 2-track and record RCA outputsBluetooth audio streaming from tablets and smartphonesUSB port for stereo streaming to and from the computer (PC & Mac)USB Recording/ playback moduleRecording of WAV files on removable flash drive and playback of MP3/ WMA filesSwitchable +4 dBu/ -10 dBV operation on stereo channels to external devicesDimensions (H x W x D): 87 x 250 x 341 mmWeight: 1.69 kgIncl. USB cable
6-channel Analogue Mixer with Digital Effects, Bluetooth compatible.
129.00€
SYNQ SMP 12.22 USB (SMP 12.22 USB)
•12 channel PA-mixing console with very low noise architecture.•ALT 3-4 bus (2 subgroups)•Internal 24bit DSP-effect unit with 100 presets & foot switch input•USB in/out for direct recording to PC•8 balanced input channels, 4 Mono + 4stereo: Input gainInserts on mono channelsPeak indication @ -5dBHigh pass filter @ 75Hz3band equalizer (12kHz/2,5kHz/80Hz)AUX send with pre/post switchEFX send for effects section (post)PAN/BAL controlALT 3-4 / Channel mute buttonLEVEL with 60mm fader control•48V Phantom power on all balanced micros•Use of external effects possible•Balanced Main L/R output control•Headphone and control room output•2x 10section LED VU-meters•External power transformer•19''brackets voor rack mounting includedTechnical InformationFree recording software available:click the logo to start download.AudacityMax output level (0.5% thd @ 1kHz):+26dB (MAIN L/R)+20dB (ALT 3/4, AUX/EFX, CTRL ROOM)+20dB (INSERT)More than 100mW (HEADPHONES) @33OhmT.H.D:0.1% @ +14dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhmFrequency response:20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhmHum and Noise (average Rs=150Ohm):-127dB equivalent input noise-95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM)-88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum.Maximum Voltage Gain:74dB MIC IN TO MAIN L/R74dB MIC IN TO ALT 3/466dB MIC IN TO AUX (PRE)76dB MIC IN TO AUX (POST)76dB MIC IN TO EFX80dB MIC IN TO CONTROL ROOM L/R52.2dB IN TO REC L/R54dB LINE IN TO MAIN L/R54dB LINE IN TO ALT 3/446dB LINE IN TO AUX (PRE)56dB LINE IN TO AUX (POST)60dB LINE IN TO CONTROL ROOM L/R44dB STEREO IN TO MAIN L/R44dB STEREO IN TO ALT 3/416dB AUX RETURN IN TO MAIN L/R20dB TAPE IN TO MAIN L/RCrosstalk (@ 1kHz):-70dB between input channels-70dB between input/oputput channelsGain Control (mono input channel)44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB)Gain Control (combined mono/stereo input channel)40dB Variable (-20dB ~ +20dB)Input channel Equalization:HIGH: 12kHz shelvingMID: 2.5kHz peakingLOW: 80Hz shelving*Turnover/roll off frequencies: located 3dB below max. boost/cutLED Meters:2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFLInternal Digital Effect:100 selectable presets FOOT Switch control (ON/OFF)Channel indicators:Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clippingPhantom Power (balanced input): +48V DCPower Supply: AC 230 V, 50HzPower consumption: 36WWeight: 4,6 kgDimensions: 328(W) x 90(H) x 420(D) mm
PA mixer, 19", 4mo+4st ch, 2sub, 1USB, DSP-eff
359.00€
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