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2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch), Each zone has 3band tone controls, balance, volume and mono/stereo switch, 11 inputs on 5 Channels (5 balanced mic + 4line + 2phono), 1Microphone with 3band tone control and zone assignable adjustable talkover.
263.00€
6 mono 1 stereo 16 x DSP deck mixer, USB reader, 1 aux, + 48V phantom, 2 x 7 band master EQ, 4 band channel EQ, 60mm logarithmic sliding fader, headphone output, xlr balance
131.00€
8 mono + 1Stereo, Aux, Phantom, 16 Delay Effect, 2x7 Band EQ
182.00€
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Band active EQ(HIGH,MID ,LOW).
111.00€
Ultra low noise 12 - Channel Mic / Line Mixer - 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
385.00€
Ultra low noise 8 - Channel Mic / Line Mixer - 8 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
284.00€
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function Can connect 8 units amplifiers external. With 8 independent input and output channels without any interference. Each channel has independent volume control. MIC 1 has priority function and can select any channel to output arbitrarily. With chime function. ŠALJEMO NA ADRESU!!!
160.00€
PA mixer, 19", 8mo+4st ch, 4sub, 1USB, DSP-eff
599.00€
JBSYSTEMS MIX5.2 (MIX5.2)
Description2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch)Each zone has 3band tone controls, balance, volume and mono/stereo switch11 inputs on 5 Channels (5 balanced mic + 4line + 2phono)1Microphone with 3band tone control and zone assignable adjustable talkover.Every Channel can be assigned to zone A, zone B or both.Every Channel has individual peak and signal present leds.Gain levels and 45mm faders on all channelsPFL with rotary selector, cue level adjustment and 6.3mm headphones jack.2 independent record outputs without Channel1 microphone and free from talkover mutingTechnical InformationMic Input 1,5mV/10kOhmPhono Input 3mV/47kOhmLine Input 150 mV/22 kOhmS/N Ratio >85 dB/1 kHzMaster A/B Output 1,5V/4 kOhm unbalanced850mV/600 Ohm balancedFrequency Response20-20.000 Hz (±2dB)Tone Control -12 dB, +12dB Phones 1V/32 OhmDimensions (mm) 134/H x 483/W x 130/D (19"/3U)
2 Independent Zones, each with balanced XLR-output (+unbalanced on cinch), Each zone has 3band tone controls, balance, volume and mono/stereo switch, 11 inputs on 5 Channels (5 balanced mic + 4line + 2phono), 1Microphone with 3band tone control and zone assignable adjustable talkover.
263.00€
MARTIN WISMAN HMX-604 (HMX-604)
SB ReaderThere isEffect Processor1 x 16 DSP Effect ProcessorTotal Channel8 ChannelsMono Channel6 MonoStereo Channel1 StereoPhantom Power+ 48VAux Output1 x AuxMaster Output2 x XLR & 2 x 6.3mm JackHeadphone Output1/4 inch 6.3mm JackCD / TapeL / R RCA Input + L / R RCA OutputChannel EQ & Controls4-BandMaster EQ & Controls2 x 7-BandFader60mm Logarithmic Sliding Fader
6 mono 1 stereo 16 x DSP deck mixer, USB reader, 1 aux, + 48V phantom, 2 x 7 band master EQ, 4 band channel EQ, 60mm logarithmic sliding fader, headphone output, xlr balance
131.00€
MARTIN WISMAN HMX-804 (HMX-804)
USB ReaderThere isEffect Processor1 x 16 DSP Effect ProcessorTotal Channel10 ChannelsMono Channel8 MonoStereo Channel1 StereoPhantom Power+ 48VAux Output1 x AuxMaster Output2 x XLR & 2 x 6.3mm JackHeadphone Output1/4 inch 6.3mm JackCD / TapeL / R RCA Input + L / R RCA OutputChannel EQ & Controls4-BandMaster EQ & Controls2 x 7-BandFader60mm Logarithmic Sliding Fader
8 mono + 1Stereo, Aux, Phantom, 16 Delay Effect, 2x7 Band EQ
182.00€
MARTIN WISMAN LKX-602 (LKX-602)
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Bandactive EQ(HIGH,MID ,LOW).Distortion under 0.0007%(20HZ-20KHZ). Phantom power for studio condenser mics.99 Kinds of parameter adjustable 24BIT DSP effects processor. ALT 3/4 stereo busfor added versatility.Precise 3 colors,6 band LED level display.MP3 player is compatible with multi audio format.Maximum levelsMic Input:30 dBuLine Input:21 dBuAll other input: 22 dBuMixer Rated OutputMain outs: +4 dBuAll other outs: +4 dBuMaximum output: 22 dBuFrequency responseMic input to main output+0, -1 dB,+0,-3 dB,Connection ImpedanceMic inputs:2k ohmsLine inputs: >10k ohmsOutputs: >100 ohmsEQ(each band): ±15dBMono Stereo Channel EQHigh:12kHzHigh mid: 2.5kHzLow: 80Hz
4-8 mini multi channel and 1 stereo analog mixer with power. 3 Band active EQ(HIGH,MID ,LOW).
111.00€
Martin Wisman MF 1200 (MF 1200)
Ultra low noise 12 - Channel Mic / Line Mixer

-   12 Mono Input Channels with silver plated XLRs and balanced Line Inputs
-   Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
-   Extremely high headroom - offering more dynamic range
-   Balanced Inputs for highest signal integrity
-   Ultra-musical 3-band EQ+FREQ on all mono channels
-   Peak LEDs all Mono Channels
-   2 Aux Send per channel for external effects and monitoring
-   2X256DSP Digital of the effect system inside
-   Separate Master Mix, Headphone Outputs
-   2-Track Inputs assignable to Master Mix
-   Highly accurate 12 segment Bargraph Meters

INPUT CHANNEL SECTION
1. BALANCE INPUT (MIC)
Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power.
2. LINE INPUT
The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..)
3. INSERT
The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output.
4. TRIM
This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal.
5. LOW CUT
Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum.
6. HIGH
Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level.
7. FREQUENCY + MID
This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 
8. LOW
Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level.
9.AUX1.2
This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ.
10. EFX1.2
This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel.
11. PAN
The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses.
12. STEREO (L-R)
Push the switch, can use ST L-R fader.
During the stereo L-R switch pushed, you can't use ST L-R fader.
13. GRPS 1-2
Push the switch, can use GROUP 1-2 fader.
During the G1-2 switch pushed, you can't use stereo L-R fader.
14. PEAK
A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping.
15. CHANNEL FADER
This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. 

MASTER SECTION
16. EFFECT PROGRAMS
When adjust switch 17, 18, 19, 20 more effects are displayed.
17. Pre-set
Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program.
18. UP TAPE SWITCH
One push, one program up push with more than 5 seconds hi-speed program up.
19. DOWN TAPE SWITCH
One push, one program down, push with more than 5 seconds, hi-speed program down.
20. MUTE
Effect ON/OFF.
21. EFFECT STEREO (L/R)
Depressing this switch, can let the EFFECT you need connect to the main control buses.
22. EFFECT GROUP(1-2)
Push the switch, can let the EFFECT you need connect to the main group buses. 

ŠALJEMO NA ADRESU!!!
Ultra low noise 12 - Channel Mic / Line Mixer - 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
385.00€
Martin Wisman MF 800 (MF 800)
Ultra low noise 8 - Channel Mic / Line Mixer

-   8 Mono Input Channels with silver plated XLRs and balanced Line Inputs
-   Ultra-low noise discrete Mic Preamps with +48 V Phantom Power
-   Extremely high headroom - offering more dynamic range
-   Balanced Inputs for highest signal integrity
-   Ultra-musical 3-band EQ+FREQ on all mono channels
-   Peak LEDs all Mono Channels
-   2 Aux Send per channel for external effects and monitoring
-   2X256DSP Digital of the effect system inside
-   Separate Master Mix, Headphone Outputs
-   2-Track Inputs assignable to Master Mix
-   Highly accurate 12 segment Bargraph Meters

INPUT CHANNEL SECTION
1. BALANCE INPUT (MIC)
Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power.
2. LINE INPUT
The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..)
3. INSERT
The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output.
4. TRIM
This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal.
5. LOW CUT
Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum.
6. HIGH
Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level.
7. FREQUENCY + MID
This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 
8. LOW
Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level.
9.AUX1.2
This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ.
10. EFX1.2
This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel.
11. PAN
The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses.
12. STEREO (L-R)
Push the switch, can use ST L-R fader.
During the stereo L-R switch pushed, you can't use ST L-R fader.
13. GRPS 1-2
Push the switch, can use GROUP 1-2 fader.
During the G1-2 switch pushed, you can't use stereo L-R fader.
14. PEAK
A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping.
15. CHANNEL FADER
This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. 

MASTER SECTION
16. EFFECT PROGRAMS
When adjust switch 17, 18, 19, 20 more effects are displayed.
17. Pre-set
Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program.
18. UP TAPE SWITCH
One push, one program up push with more than 5 seconds hi-speed program up.
19. DOWN TAPE SWITCH
One push, one program down, push with more than 5 seconds, hi-speed program down.
20. MUTE
Effect ON/OFF.
21. EFFECT STEREO (L/R)
Depressing this switch, can let the EFFECT you need connect to the main control buses.
22. EFFECT GROUP(1-2)
Push the switch, can let the EFFECT you need connect to the main group buses. 


ŠALJEMO NA ADRESU!!!
Ultra low noise 8 - Channel Mic / Line Mixer - 8 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses. ŠALJEMO NA ADRESU!!!
284.00€
Martin Wisman MX 88 (MX 88)
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function
Can connect 8 units amplifiers external.
With 8 independent input and output channels without any interference. 
Each channel has independent volume control.
MIC 1 has priority function and can select any channel to output 
arbitrarily.
With chime function.

ŠALJEMO NA ADRESU!!!
Pre-amplifier,8 in 8 out , MIC 1 has prior function , with chime function Can connect 8 units amplifiers external. With 8 independent input and output channels without any interference. Each channel has independent volume control. MIC 1 has priority function and can select any channel to output arbitrarily. With chime function. ŠALJEMO NA ADRESU!!!
160.00€
SYNQ SMP 16.42 USB (SMP 16.42 USB)
•16 channel PA-mixing console with very low noise architecture.•4 subgroups with independent sub-masters•Internal 24bit DSP-effect unit with 100 presets & foot switch input•USB in/out for direct recording to PC•12 balanced input channels, 8 Mono + 4stereo: Input gainInserts on mono channelsPeak indication @ -5dBHigh pass filter @ 75Hz3band equalizer with parametric mid1 AUX send pre (monitoring)1 AUX send with pre/post switchEFX send for effects section (post)PAN/BAL controlChannel mute buttonPFL-switchLEVEL with 60mm fader controlL-R and subgroup 1-2 3-4 select•48V Phantom power on all balanced micros•Use of external effects possible•Balanced Main L/R + subgroup output controls•Headphone and control room output•2x 10section LED VU-meters•7band equalizer on master mix•External power transformer•19" brackets for easy rack mounting includedTechnical InformationMax output level (0.5% thd @ 1kHz):+26dB (MAIN L/R)+20dB (ALT 3/4, AUX/EFX, CTRL ROOM)+20dB (INSERT)More than 100mW (HEADPHONES) @33OhmT.H.D:Frequency response:20Hz~20kHz, +1/-2dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM) @10kOhmHum and Noise (average Rs=150Ohm):-127dB equivalent input noise-95dB residual noise (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM)-88dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM) Master fader at nominal level and all channel assign switches off.Maximum Voltage Gain:74dB MIC IN TO Main L/R74dB MIC IN TO GROUP 1-2/3-466dB MIC IN TO AUX1/AUX2 (PRE)76dB MIC IN TO AUX2 (POST)76dB MIC IN TO EFX80dB MIC IN TO CONTROL ROOM L/R52.2dB IN TO REC L/R54dB LINE IN TO MIX L/R54dB LINE IN TO GROUP 1-2/3-446dB LINE IN TO AUX1 / AUX2 (PRE)56dB LINE IN TO AUX2 (POST)60dB LINE IN TO CONTROL ROOM L/R44dB STEREO IN TO MAIN L/R44dB STEREO IN TO GROUP 1-2/3-416dB AUX RETURN IN TO MIX L/R12dB AUX RETURN IN TO AUX1/AUX220dB TAPE IN TO MAIN L/RCrosstalk (@ 1kHz):-70dB between input channels-70dB between input/oputput channelsGain Control (mono input channel)44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB)Gain Control (combined mono/stereo input channel)40dB Variable (-20dB ~ +20dB)Mono input channel Equalization:HIGH: 12kHz shelvingMID: 100-8kHz peakingLOW: 80Hz shelving*Turnover/roll off frequencies: located 3dB below max. boost/cutStereo input channel Equalization:HIGH: 12kHz shelvingHIGH MID: 3kHz peakingLOW MID: 500Hz peakingLOW: 80Hz shelving*Turnover/roll off frequencies: located 3dB below max. boost/cutGraphic Equalizer:7-band (63, 160, 400, 1K, 2.5K, 6.4K, 16KHZ)LED Meters:2x 10 segment LED for MAIN L/R, GROUP1-2/3-4 or PFLInternal Digital Effect:100 selectable presetsFOOT Switch control (ON/OFF)Channel indicators:Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clippingPhantom Power (balanced input): +48V DCPower Supply: AC 230 V, 50HzPower consumption: 40WWeight: 5,4 kgDimensions: 436(W) x 90(H) x 420(D) mm
PA mixer, 19", 8mo+4st ch, 4sub, 1USB, DSP-eff
599.00€
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