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Prikazana cena je za komad. DMX Channels: 1 IP55 Rated 16 Colours and blackout The Acme Aki Color range gives you the ability to illuminate your building or venue, internally as well as externally. The Aki Color is a flood projector which has been created for static architectural applications. It has a protection rating of IP-55, which makes it suitable for outdoor use. The unit can be controlled by DMX 512 or via the Aki Color Processor. An unlimited number of units can be linked together in Master / slave mode with adjustable speed change. Features DMX Channels: 1 IP55 Rated 16 Colours and blackout Automatic switching between DMX and Master / slave mode Remote DMX addressing via the Aki Color Processor controller Synchronus colour changing in master / slave mode Vertical head adjustment: 270 degrees Beam Angle: 45 degrees Spec. Power supply: 240v Lamp: MSD 250 / NSD 250 Replacement lamp: lamp80 Dimensions: 380 x 320 x 576mm Weight: 25.0kgs
499.00€
Proizvođač: APART CM 6E Dostupnost: Na stanju Šifra Proizvoda: 2856 Prikazana cena je za komad. CM 6E (W/BL/SLV) Type : dual cone Woofer: 6.5" paper cone Impedance: 8 Ohm - 100 V Transfo Power Tappings: 1,5 - 3 - 6 Watts RMS power AES Rated: 6 W Music - Program: 10 W SPL 1w/1m: 93 dB Max peak: 102 dB Frequency Range : 70 Hz - 20 kHz Dispersion @ 1 kHz: 180°, 4 kHz: 50° Dimensions : Cut out : 183 mm Outside : 205 mm Depth : 70 mm Weight : 0.8 Kg Modern and very reliable built-in loudspeaker. Provided with a 6,5” dual cone woofer which gives you a loud and clear sound reproduction. The loudspeaker is provided with a 6 watt 100 Volt transformer with several power tappings. The housing is made of high quality ABS. The loudspeaker itself is made out of paper. The loudspeaker is easy to install, due to its simple, quick mounting system (3 screws which are hidden behind the loudspeaker grill). This loudspeaker is very suitable for the distribution of microphone calls. CM6 E-BL is in black color RAL 9011, but is also standard available in white (CM6E) and silver (CM6E-SLV). From 12 pieces on, the loudspeakers can be painted optionally in any other RAL color. (Ref.: PAINT-CM).
25.00€
Snizeno sa 3499eura Completely made in Italy The Vertus system comprises of:2 x CLA 604a active column speakers 2 x CLA 208Sa active subwoofers 2 x VT-S604 speaker poles 2 x KMS220 Adaptors 4 x Neutrik Powercon Cables This system is easily expandable with the addition of further CLA604a’s and CLA208SAa’s Very light and easy to carry Features The internal Class D amplifier delivers 600W in the CLA 208Sa and 400W + 100W in the CLA 604a. These are matched with a switch mode power supply and a DSP processor with filtering functions, equalization and speaker protection. Created with the idea of extending the CLA604a’s low frequency performance in live applications, the CLA208Sa serves as the base support for the CLA604a column speaker which can either be frontally mounted to the sub, as well as fixed upon the optional stand through the M20 socket on the upside of the sub. The CLA208Sa subwoofers are modular as well, and they can be stacked to enlarge and increase the maximum SPL. QSL’s Verdict “The Vertus system (the CLA208 combined with the CLA604) is a stunning system with excellent dispersion and can be used in a variety of configurations.” Specifications CLA 208Sa Vertus CLA208Sa 600W RMS 129dB SPL Processed Active Subwoofer · Active subwoofer in bass-reflex design · 2 x 8” (200mm) custom neodymium, high-excursion woofer with 2” (50 mm) voice coil · 50Hz to 180Hz frequency response · Class D 600W RMS amplifier with switch mode power supply · DSP processor with 4 available presets · Control panel with combo XLR/Jack stereo input and link, XLR Hi-pass out stereo, volume, presets, 0°-180° phase switch, status LED · Neutrik POWERCONN input and link · 15mm birch plywood enclosure with anti-scratch paint finish, stackable · M20 stand adapter, 2 integrated handles, front hardware to sustain CLA206LA modules · Suitable for low frequency extension and reinforcement of the CLA604A array, especially for live performance CLA 604a Vertus CLA604A 400W + 100W RMS 125dB SPL Column Active Line Array · 2-way bi-amplified Line Array Column · 6 x 4” (100mm) custom woofer with 1” (25 mm) voice coil · 4 x 1” (25mm) neodymium dome tweeter on waveguide · 130Hz to 20KHz frequency response · Class D 400Wrms amplifier for LF and 100Wrms for HF with switch mode power supply · DSP processor with 4 available equalization presets · Control panel with volume, presets, HP filter, Mic-Line, status LED · XLR input and Neutrik POWERCONN supply input at the lower part of the column; XLR link and Neutrik POWERCONN loop output at the higher part, in order to hide each connection cable · 100°H x 20°V dispersion · Extruded-aluminum powder-coated cabinets. Superior latching system, enables the extension of the length of the line array by adding CLA604A modules for increased modularity of the system. · Possibility to angle the columns of +/- 30° on a horizontal plane · Ideal for both live applications, assisted by the CLA 208SA active subwoofer, as well as for fixed installation · Easily expandable for a total power of 6600W (stereo system composed of 3 x CLA604A and 3 x CLA208SA) · Very light and easy to carry User Manual Download pdf
2,799.00€
Prikazana cena je za komad. The professional monitor Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.
209.00€
Kratak opis PAR 64 LED with black housing - with 180 pcs 5mm. LED, DMX 512/5 Channel use, ,with SCHUKO (bended type) plug, digital
49.00€
Kratak opis LiteQuest Ultrawash 3610 RGBW Voltage:AC110-245V 50/60Hz Power consumption:380W Lamp:LED10W*36pcs(TianXin Lamp)4 in 1 Function:Sound control,Automatic,DMX512 DMX Channels: 12CH XY Axis: X Axis:6300 Y Axis:2700 Beam Angel::250 Feature:Extremely small,High efficiency,smooth effect Smooth...
499.00€
Kratak opis The new CD6006 is a fine-tuned version with even more specially selected components and new layout circuit compared to its CD6005 predecessor, the What HiFi “Best CD player under £500”.
399.00€
Kratak opis 896mk3 Hybrid — 8 mic/guitar inputs with on-board effects and mixing Feature summary Hybrid FireWire/USB2 connectivity — connect to your computer via plug-and-play FireWire or hi-speed USB2. CueMix FX™ — flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output. 28 inputs / 32 outputs (at 44.1/48 kHz) — there's no channel sharing in the 896mk3; the mic inputs, AES/EBU I/O, S/PDIF I/O, headphone out and main outs are all handled as separate channels. Front-panel control — access any setting in your entire 896mk3 mix directly from the front panel. Stand-alone operation — program...
1,399.00€
Native Instruments X1 & Z1 bundle
339.00€
ntegrated Stereo Amplifier A High-Value Proposition for the Passionate Music Fan. WRAT (Wide Range Amplifier Technology) for Naturally Vivid Sound. Innovative Three-Stage Amplifier Circuit Brings Your Music to Life
299.00€
Kratak opis Onkyo // C-7030 Black - Compact Disc Player VLSC™ (Vector Linear Shaping Circuitry) Precision Clock Wolfson® 192 kHz/24-Bit DAC Fully Flat Anti-Vibration Chassis Stunning Fidelity from a Stylish and Affordable CD Player For music lovers who enjoy the tangible experience of playing a physical format, the CD retains its enduring appeal. The pleasure comes not just from browsing a collection of discs and reading the liner notes. It also comes from enjoying your music in superior fidelity. By combining high-quality components and decades of Onkyo audio know-how, the C-7030 CD player delivers a superb playback experience. The key lies in keeping the audio signal clean and free from...
219.00€
Pioneer CDJ 2000NX2 x 2 & Pioneer EFX 1000
4,799.00€
Vestax vci 100 + Esi udj6
259.00€
Kratak opis In today's world, speed is everything. The blazingly fast Zoom TAC-2 interface uses the latest Thunderbolt™ technology for ultra-low latency and the ultimate in high-quality audio, up to 24-bit/192kHz. Lightweight and portable, yet rugged enough for the road, the TAC-2 is also easy to use, with a single large rotary knob controlling all parameters. Whether using it in your home studio or on the road, you can rely on your TAC-2 to deliver pristine audio.
202.00€
ACME AKI Color 250 (AKI Color 250)
DMX Channels: 1 IP55 Rated 16 Colours and blackout The Acme Aki Color range gives you the ability to illuminate your building or venue, internally as well as externally. The Aki Color is a flood projector which has been created for static architectural applications. It has a protection rating of IP-55, which makes it suitable for outdoor use. The unit can be controlled by DMX 512 or via the Aki Color Processor. An unlimited number of units can be linked together in Master / slave mode with adjustable speed change. Features DMX Channels: 1 IP55 Rated 16 Colours and blackout Automatic switching between DMX and Master / slave mode Remote DMX addressing via the Aki Color Processor controller Synchronus colour changing in master / slave mode Vertical head adjustment: 270 degrees Beam Angle: 45 degrees Spec. Power supply: 240v Lamp: MSD 250 / NSD 250 Replacement lamp: lamp80 Dimensions: 380 x 320 x 576mm Weight: 25.0kgs
Prikazana cena je za komad. DMX Channels: 1 IP55 Rated 16 Colours and blackout The Acme Aki Color range gives you the ability to illuminate your building or venue, internally as well as externally. The Aki Color is a flood projector which has been created for static architectural applications. It has a protection rating of IP-55, which makes it suitable for outdoor use. The unit can be controlled by DMX 512 or via the Aki Color Processor. An unlimited number of units can be linked together in Master / slave mode with adjustable speed change. Features DMX Channels: 1 IP55 Rated 16 Colours and blackout Automatic switching between DMX and Master / slave mode Remote DMX addressing via the Aki Color Processor controller Synchronus colour changing in master / slave mode Vertical head adjustment: 270 degrees Beam Angle: 45 degrees Spec. Power supply: 240v Lamp: MSD 250 / NSD 250 Replacement lamp: lamp80 Dimensions: 380 x 320 x 576mm Weight: 25.0kgs
499.00€
APART CM 6E (CM 6E)
CM 6E (W/BL/SLV) Type : dual cone Woofer: 6.5" paper cone Impedance: 8 Ohm - 100 V Transfo Power Tappings: 1,5 - 3 - 6 Watts RMS power AES Rated: 6 W Music - Program: 10 W SPL 1w/1m: 93 dB Max peak: 102 dB Frequency Range : 70 Hz - 20 kHz Dispersion @ 1 kHz: 180°, 4 kHz: 50° Dimensions : Cut out : 183 mm Outside : 205 mm Depth : 70 mm Weight : 0.8 Kg Modern and very reliable built-in loudspeaker. Provided with a 6,5” dual cone woofer which gives you a loud and clear sound reproduction. The loudspeaker is provided with a 6 watt 100 Volt transformer with several power tappings. The housing is made of high quality ABS. The loudspeaker itself is made out of paper. The loudspeaker is easy to install, due to its simple, quick mounting system (3 screws which are hidden behind the loudspeaker grill). This loudspeaker is very suitable for the distribution of microphone calls. CM6 E-BL is in black color RAL 9011, but is also standard available in white (CM6E) and silver (CM6E-SLV). From 12 pieces on, the loudspeakers can be painted optionally in any other RAL color. (Ref.: PAINT-CM).
Proizvođač: APART CM 6E Dostupnost: Na stanju Šifra Proizvoda: 2856 Prikazana cena je za komad. CM 6E (W/BL/SLV) Type : dual cone Woofer: 6.5" paper cone Impedance: 8 Ohm - 100 V Transfo Power Tappings: 1,5 - 3 - 6 Watts RMS power AES Rated: 6 W Music - Program: 10 W SPL 1w/1m: 93 dB Max peak: 102 dB Frequency Range : 70 Hz - 20 kHz Dispersion @ 1 kHz: 180°, 4 kHz: 50° Dimensions : Cut out : 183 mm Outside : 205 mm Depth : 70 mm Weight : 0.8 Kg Modern and very reliable built-in loudspeaker. Provided with a 6,5” dual cone woofer which gives you a loud and clear sound reproduction. The loudspeaker is provided with a 6 watt 100 Volt transformer with several power tappings. The housing is made of high quality ABS. The loudspeaker itself is made out of paper. The loudspeaker is easy to install, due to its simple, quick mounting system (3 screws which are hidden behind the loudspeaker grill). This loudspeaker is very suitable for the distribution of microphone calls. CM6 E-BL is in black color RAL 9011, but is also standard available in white (CM6E) and silver (CM6E-SLV). From 12 pieces on, the loudspeakers can be painted optionally in any other RAL color. (Ref.: PAINT-CM).
25.00€
FBT Vertus Line array active system (Vertus Line array active system)
Completely made in Italy The Vertus system comprises of: 2 x CLA 604a active column speakers 2 x CLA 208Sa active subwoofers 2 x VT-S604 speaker poles 2 x KMS220 Adaptors 4 x Neutrik Powercon Cables This system is easily expandable with the addition of further CLA604a’s and CLA208SAa’s Very light and easy to carry Features The internal Class D amplifier delivers 600W in the CLA 208Sa and 400W + 100W in the CLA 604a. These are matched with a switch mode power supply and a DSP processor with filtering functions, equalization and speaker protection. Created with the idea of extending the CLA604a’s low frequency performance in live applications, the CLA208Sa serves as the base support for the CLA604a column speaker which can either be frontally mounted to the sub, as well as fixed upon the optional stand through the M20 socket on the upside of the sub. The CLA208Sa subwoofers are modular as well, and they can be stacked to enlarge and increase the maximum SPL. QSL’s Verdict “The Vertus system (the CLA208 combined with the CLA604) is a stunning system with excellent dispersion and can be used in a variety of configurations.” Specifications Vertus CLA208Sa 600W RMS 129dB SPL Processed Active Subwoofer · Active subwoofer in bass-reflex design · 2 x 8” (200mm) custom neodymium, high-excursion woofer with 2” (50 mm) voice coil · 50Hz to 180Hz frequency response · Class D 600W RMS amplifier with switch mode power supply · DSP processor with 4 available presets · Control panel with combo XLR/Jack stereo input and link, XLR Hi-pass out stereo, volume, presets, 0°-180° phase switch, status LED · Neutrik POWERCONN input and link · 15mm birch plywood enclosure with anti-scratch paint finish, stackable · M20 stand adapter, 2 integrated handles, front hardware to sustain CLA206LA modules · Suitable for low frequency extension and reinforcement of the CLA604A array, especially for live performance Vertus CLA604A 400W + 100W RMS 125dB SPL Column Active Line Array · 2-way bi-amplified Line Array Column · 6 x 4” (100mm) custom woofer with 1” (25 mm) voice coil · 4 x 1” (25mm) neodymium dome tweeter on waveguide · 130Hz to 20KHz frequency response · Class D 400Wrms amplifier for LF and 100Wrms for HF with switch mode power supply · DSP processor with 4 available equalization presets · Control panel with volume, presets, HP filter, Mic-Line, status LED · XLR input and Neutrik POWERCONN supply input at the lower part of the column; XLR link and Neutrik POWERCONN loop output at the higher part, in order to hide each connection cable · 100°H x 20°V dispersion · Extruded-aluminum powder-coated cabinets. Superior latching system, enables the extension of the length of the line array by adding CLA604A modules for increased modularity of the system. · Possibility to angle the columns of +/- 30° on a horizontal plane · Ideal for both live applications, assisted by the CLA 208SA active subwoofer, as well as for fixed installation · Easily expandable for a total power of 6600W (stereo system composed of 3 x CLA604A and 3 x CLA208SA) · Very light and easy to carry
Snizeno sa 3499eura Completely made in Italy The Vertus system comprises of:2 x CLA 604a active column speakers 2 x CLA 208Sa active subwoofers 2 x VT-S604 speaker poles 2 x KMS220 Adaptors 4 x Neutrik Powercon Cables This system is easily expandable with the addition of further CLA604a’s and CLA208SAa’s Very light and easy to carry Features The internal Class D amplifier delivers 600W in the CLA 208Sa and 400W + 100W in the CLA 604a. These are matched with a switch mode power supply and a DSP processor with filtering functions, equalization and speaker protection. Created with the idea of extending the CLA604a’s low frequency performance in live applications, the CLA208Sa serves as the base support for the CLA604a column speaker which can either be frontally mounted to the sub, as well as fixed upon the optional stand through the M20 socket on the upside of the sub. The CLA208Sa subwoofers are modular as well, and they can be stacked to enlarge and increase the maximum SPL. QSL’s Verdict “The Vertus system (the CLA208 combined with the CLA604) is a stunning system with excellent dispersion and can be used in a variety of configurations.” Specifications CLA 208Sa Vertus CLA208Sa 600W RMS 129dB SPL Processed Active Subwoofer · Active subwoofer in bass-reflex design · 2 x 8” (200mm) custom neodymium, high-excursion woofer with 2” (50 mm) voice coil · 50Hz to 180Hz frequency response · Class D 600W RMS amplifier with switch mode power supply · DSP processor with 4 available presets · Control panel with combo XLR/Jack stereo input and link, XLR Hi-pass out stereo, volume, presets, 0°-180° phase switch, status LED · Neutrik POWERCONN input and link · 15mm birch plywood enclosure with anti-scratch paint finish, stackable · M20 stand adapter, 2 integrated handles, front hardware to sustain CLA206LA modules · Suitable for low frequency extension and reinforcement of the CLA604A array, especially for live performance CLA 604a Vertus CLA604A 400W + 100W RMS 125dB SPL Column Active Line Array · 2-way bi-amplified Line Array Column · 6 x 4” (100mm) custom woofer with 1” (25 mm) voice coil · 4 x 1” (25mm) neodymium dome tweeter on waveguide · 130Hz to 20KHz frequency response · Class D 400Wrms amplifier for LF and 100Wrms for HF with switch mode power supply · DSP processor with 4 available equalization presets · Control panel with volume, presets, HP filter, Mic-Line, status LED · XLR input and Neutrik POWERCONN supply input at the lower part of the column; XLR link and Neutrik POWERCONN loop output at the higher part, in order to hide each connection cable · 100°H x 20°V dispersion · Extruded-aluminum powder-coated cabinets. Superior latching system, enables the extension of the length of the line array by adding CLA604A modules for increased modularity of the system. · Possibility to angle the columns of +/- 30° on a horizontal plane · Ideal for both live applications, assisted by the CLA 208SA active subwoofer, as well as for fixed installation · Easily expandable for a total power of 6600W (stereo system composed of 3 x CLA604A and 3 x CLA208SA) · Very light and easy to carry User Manual Download pdf
2,799.00€
FOCAL Alpha 50 (Alpha 50)
The Alpha 50 is composed of a 5” (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB). KEY POINTS Low directivity: keeps the same sound throughout the room. Damping and rigidity: neutrality, no distortion. Tonal balance is identical at low and high volumes; low sensitivity to the wall effects. Connect up to 2 audio sources. Optimal acoustic integration. Reduced power consumption.
Prikazana cena je za komad. The professional monitor Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.
209.00€
FOSTEX TH-7(W) (TH-7(W))
T-7 Headphones Available in Black (TH-7B) or White (TH-7W) Manufactured from ultra-light materials (these comfortable sets weigh in at under 260g) and featuring acoustic-designed diaphragms to maximise audio performance, these stereo headphones offer great all-round capability right across the frequency range. The TH-7 headphones are ideally suited to all types of music and a good choice for a wide range of applications from personal studio to professional studio. T-7 Impedance: 70 ohm Frequency Response: 20Hz - 20kHz Sensitivity: 98dB/mW Max input level: 100mW Maximum SPL: 118dB Weight only 260g Cord Length: 1.2m with 3.5mm stereo mini plug Supplied Accessories: 1.5m extension cable with 6.3mm stereo plug
69.00€
INVISION DANTE 64 B 181 (DANTE 64 B 181)
Kratak opis PAR 64 LED with black housing - with 180 pcs 5mm. LED, DMX 512/5 Channel use, ,with SCHUKO (bended type) plug, digital ŠALJEMO NA ADRESU!!!
Kratak opis PAR 64 LED with black housing - with 180 pcs 5mm. LED, DMX 512/5 Channel use, ,with SCHUKO (bended type) plug, digital
49.00€
LiteQuest Ultrawash 3610 RGBW (Ultrawash 3610 RGBW)
LiteQuest Ultrawash 3610 RGBW Voltage:AC110-245V 50/60Hz Power consumption:380W Lamp:LED10W*36pcs(TianXin Lamp)4 in 1 Function:Sound control,Automatic,DMX512 DMX Channels: 12CH XY Axis: X Axis:6300 Y Axis:2700 Beam Angel::250 Feature:Extremely small,High efficiency,smooth effect Smooth electronic Dimming:0-100% Package Size:440*390*410MM Weight:8KGž ŠALJEMO NA ADRESU!!!
Kratak opis LiteQuest Ultrawash 3610 RGBW Voltage:AC110-245V 50/60Hz Power consumption:380W Lamp:LED10W*36pcs(TianXin Lamp)4 in 1 Function:Sound control,Automatic,DMX512 DMX Channels: 12CH XY Axis: X Axis:6300 Y Axis:2700 Beam Angel::250 Feature:Extremely small,High efficiency,smooth effect Smooth...
499.00€
Marantz CD6006 N1SG (CD6006 N1SG)

We also added more rigid feet to further eliminate vibration. The oversized power supply feeds the digital and analogue circuitry of the player, where the high-quality CS4398 DAC converts digital signals to analogue, this is then ‘pushed’ to the gold-plated synch outputs by Marantz’s own small signal amplifier, the HDAM-SA2. In addition, we have included a new remote that also controls the PM6006 amp.

Altogether, the CD6006 is a match made in heaven for the music lover who wants nothing but the best performance at an attractive price, and it is also perfect for lovers of portable music, thanks to its iPod-digital connectivity. One more thing: the CD6006 features a newly developed, complex headphone amplifier with headphone amp gain setting for a wider range of headphones.

Marantz HDAM Technology
Marantz developed its own discrete circuit boards to replace standard IC's. These HDAM's consists of discrete surface mount components with short mirror image L/R signal paths. Those devices are doing exactly the same thing as the Op-Amps, but outperform the regular IC Op-amps dramatically in terms of the Slew Rate and reduced noise level, resulting in a much more dynamic, accurate and detailed sound. Over the years Marantz developed different types of the HDAM to improve quality and to fit to the special requirements of a product category like CD or amplifier.

High Current Power Supply
The audio power supply employs high speed, high current Shottky Barrier Diodes and high current storage capacitors.

Reference Quality D/A Conversion
The CD6006 features high resolution D/A conversion and is equipped with the reference class CS4398 D/A converter, which provides up to 192 kHz/24 bit resolution for optimum fidelity with high resolution audio file types.

High slew rate op-amp + HDAM-SA2 headphone amplifier with headphone amp gain setting (Low/Mid/High)
The headphone amplifier section features our HDAM-SA2 circuit with three gain settings (Low/Mid/High) for a wider range of headphones.

Plays USB audio sources (MP3/WMA/AAC/WAV) / "Made for iPod/iPhone"
The CD6006 can play back MP3, WMA, WAV and AAC files from a connected USB storage device. It is also specifically "Made for iPod/iPhone", to directly play back your iDevice music through the CD Player's high quality D/A converters.

 

Spec.

DAC Chipsets 192kHz/24bit (CS4398)

Compatible Formats CD / CD-R/RW / WMA / MP3 / AAC

Outputs 2 x RCA Phono (Gold Plated) 1 x Optical (TOSlink) 1 x Coaxial (Gold Plated)

Headphone (6.3mm/1/4" Jack)

Inputs USB Port USB Port Supports Apple Devices Compatible Memory Sticks Compatible MP3 Players

Dimensions (Width x Height x Depth) 440 x 105 x 340 (mm)

Weight 6.5kg

ŠALJEMO NA ADRESU!!!

Kratak opis The new CD6006 is a fine-tuned version with even more specially selected components and new layout circuit compared to its CD6005 predecessor, the What HiFi “Best CD player under £500”.
399.00€
Motu 896MK3 (896MK3 )

896mk3 Hybrid — 8 mic/guitar inputs with on-board effects and mixing


Feature summary

  • Hybrid FireWire/USB2 connectivity — connect to your computer via plug-and-play FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 28 inputs / 32 outputs (at 44.1/48 kHz) — there's no channel sharing in the 896mk3; the mic inputs, AES/EBU I/O, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Front-panel control — access any setting in your entire 896mk3 mix directly from the front panel.
  • Stand-alone operation — program your mixes at the studio and then bring the 896mk3 to your gig — no computer needed. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Eight rear panel combo jacks provide 1/4” or XLR mic input with phantom power, pad and plenty of gain.
  • Clip protection — input limiter prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero.
  • Eight 24-bit 192kHz analog inputs and outputs on XLR jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Flexible optical I/O — 16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of stereo TOSLink. Mix and match formats between the two banks.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate XLR main outs and front-panel headphone jacks, each with independent volume control.
  • Stereo 24-bit 96kHz AES/EBU in/out
  • Stereo 24-bit 96kHz S/PDIF in/out
  • Word clock in and out
  • Foot switch input — conveniently located on the front panel...connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.
  • Includes native 32- and 64-bit drivers for Mac OS X and Windows 7/Vista, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Macintosh with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or high-speed USB 2.0.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Two front panel headphone jacks with independent volume controls.
  • Comprehensive front panel metering for all analog and digital audio I/O.
  • Dedicated front panel clock status LEDs.
  • International 100-240V, 50-60 Hz autoswitching power supply.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 19 x 7 x 3.5 inches (48.26 x 17.78 x 8.89 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 2U high.


896mk3 Overview

The 896mk3 audio interface delivers advanced design, high-end performance, superb sound, and universal "hybrid" FireWire/USB2 connectivity to your Mac or Windows computer.

Hybrid logo


Hybrid FireWire / USB2 connectivity

As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.


Flexible operation

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Watch a movie about the 896mk3's on-board mixing and FX processing











On-board digital mixer with effects for monitoring and live mixing

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces can connect to any Firewire port. Just plug in and go, with any standard cable. The 896mk3 Hybrid provides two FireWire Type B ports, which provide the most reliable FireWire connection available. The ports operate at 400 Mbit/s, and they can be connected to any available FireWire port on your computer, either Type A or Type B. If your computer has FireWire Type B ports, use the included 9-pin-to-9-pin FireWire cable. If your computer has either standard Type A ports or miniature Type A ports, use the appropriate 9-pin-to-6-pin or 9-pin-to-4-pin FireWire cable (sold separately).

When recording from the analog inputs, the 896mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.


Advanced audio analysis tools

Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.


Stand-alone operation as a mixer

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.


Across-the-board compatibility

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.


Hybrid FireWire/USB2

The 896mk3 is the flagship for MOTU's unique "hybrid" audio interface line, which delivers universal FireWire and high-speed USB 2.0 connectivity.

MOTU audio interfaces can connect to any Firewire port. Just plug in and go, with any standard cable. The 896mk3 Hybrid provides two FireWire Type B ports, which provide the most reliable FireWire connection available. The ports operate at 400 Mbit/s, and they can be connected to any available FireWire port on your computer, either Type A or Type B. If your computer has FireWire Type B ports, use the included 9-pin-to-9-pin FireWire cable. If your computer has either standard Type A ports or miniature Type A ports, use the appropriate 9-pin-to-6-pin or 9-pin-to-4-pin FireWire cable (sold separately).

FireWire has long been recognized as a reliable, high-performance connectivity standard for professional audio interfaces like the 896mk3. Meanwhile, high-speed USB 2.0 has also developed into a widely adopted standard for connecting peripheral devices to personal computers.

To fully support both formats, the 896mk3 hybrid audio interface is equipped with FireWire jacks and a high-speed USB 2.0 (480 Mbit/sec) connector, and you can use either port to connect the 896mk3 to your computer. This gives you maximum flexibility and compatibility with today’s ever-expanding universe of Mac and Windows computers.

If your computer does not have a FireWire port, then obviously you will need to connect the 896mk3 to one of its high-speed USB 2.0 ports.

If your computer has both FireWire and USB2, then it is your choice, and your decision will depend mostly on other peripherals you may also have.


Inputs

Eight inputs are equipped with high quality preamps, plus overload protection and all the features you need to simultaneously record up to eight mic/instrument inputs with excellent sound quality.

The 896mk3 analog inputs are flexible XLR/TRS "combo" jacks that accept a microphone, guitar, synth or other -10/+4 line level input source. Inputs operate independently (or as stereo pairs), so you can connect a variety of analog inputs simultaneously.


Precision digitally controlled analog trim

Each input is equipped with an independent, digitally controlled analog trim pot, 48V phantom power switch and 20 dB pad switch conveniently located on the front panel for easy access.

The preamp in each input provide 53 dB of gain, which you can adjust in precise 1 dB increments using the detented digital rotary encoder. As you turn the encoder, you see graphic and numeric feedback in the front panel LCD, so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog, but the digital control gives you both precision and the ability to save and recall trim settings. You get the best of both worlds: analog trim with digital precision and control.


V-Limit™ hardware limiter

All analog inputs are equipped with V-Limit™, a hardware limiter that helps prevent digital clipping from overloaded input signals. With V-Limit enabled, signals can go above zero dB (where limiting kicks in) to as high as +12 dB above zero with no distortion due to digital clipping.

 

Soft Clip™

Additional protection can be applied to the mic/guitar inputs by enabling the 896mk3's Soft Clip™ feature, which engages just before clipping occurs and helps reduce perceptible distortion.


Comprehensive I/O

The 896mk3 allows you to connect a wide variety of studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and more.


Front panel I/O

In addition to the eight analog inputs, the 896mk3 provides two independent headphone jacks with independent volume knobs, one of which also controls the XLR main outs on the rear panel. Alternatively, this "Master Vol" knob can be programmed to control any combination of outputs (analog and/or digital). For example, it can control monitor output for an entire 5.1 or 7.1 surround mix.


Discrete inputs and outputs

The phone jack below the MASTER VOL knob labeled "(MAIN OUT)" is hard-wired to (mirrors) the XLR main outs. In all other cases, inputs and outputs are discrete. For example, the main outs do not "steal" an output pair from the bank of eight XLR analog outputs. Even the second headphone jack operates as an independent output with its own volume control, although you can program it to mirror any other output pair.


Rear panel I/O

Eight 24-bit analog "combo jack" inputs and ten XLR outputs can operate at sample rates up to 192 kHz. Two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing you to mix and match any optical formats. RCA S/PDIF connectors also supply independent stereo digital I/O. XLR AES/EBU connectors provide another independent stereo digital I/O.

 InputOutput
Analog 24-bit 192-kHz on XLR-8
Mic preamps 24-bit 192-kHz on XLR/TRS combo8-
Main outputs 24-bit 192kHz on bal XLR-stereo
Headphone output*-stereo
ADAT optical (digital)†1616
AES/EBU (digital)stereostereo
S/PDIF (digital)stereostereo
Total2832

* The phone jack below the MASTER VOL knob is hard-wired to (mirrors) the XLR main outs. The other phone jack operates as an independent stereo pair.

† The two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz or two banks of stereo TOSLink at rates up to 96 kHz. The banks operate independently, allowing you to mix and match any optical formats.


Control room monitoring

Powered monitors can be plugged directly into the outputs of the 896mk3 and you can attenuate the output from the software or the front-panel MASTER VOL control. Main out volume is not limited to stereo operation: quad, 5.1, 7.1 and even user-defined configurations are available. You can even program the 896mk3 to control all 32 outputs with the MASTER VOL knob.


Mixing and effects

The 896mk3 is an audio interface, but it's also a 16-bus digital mixer, complete with EQ, compression and reverb.

Watch a movie about the 896mk3's on-board mixing and FX processing

The 896mk3 is really two devices in one: an audio interface plus a 28 x 16 digital mixer. In fact, you could even think of the 896mk3 as a digital mixer in a double rack-space form factor.

Operating as either a computer interface or stand-alone, the 896mk3 provides DSP-driven digital mixing with effects processing (reverb, EQ and compression) for all 28 inputs. You can connect all your gear and then mix, process and monitor everything from the 896mk3’s main outs or headphone jacks.





A 28 input by 16 bus digital mixer with effects

All I/O is routed to the on-board 16-bus (8 stereo) digital mixer driven by hardware-based DSP with 32-bit floating point precision. The mixer allows you to apply no-latency effects processing to inputs, outputs or busses directly in the 896mk3 hardware, independent of the computer. Effects can be applied when the 896mk3 is operating stand-alone (without a computer) as a complete rack-mounted mixer. Input signals to the computer can be recorded wet, dry, or dry with a wet monitor mix (for musicians during recording, for example).


Complete mixing at your fingertips

All of the mixer settings in the 896mk3 are accessible from the programmable front-panel backlit LCD. You can also launch the CueMix FX™ control software for Mac OS X, Windows XP and Windows Vista. CueMix FX provides complete on-screen access to the 896mk3's on-board, hardware-based mixing environment.

CueMix Effects 


CueMix FX software

CueMix FX gives you comprehensive graphic control over your mix. CueMix FX is a completely new software front-end with attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all mixing features, digitally controlled trims and other settings in your MOTU FireWire audio interface.

 

CueMix FX can be operated side by side with any host audio software for Mac or Windows, and it can be controlled from the Mackie Control Universal Pro automated worksurface.

Watch the CueMix FX movie

 

One window with convenient tabs

Three separate tabs show inputs, mix busses and outputs. Click the "Focus" button on any channel or bus to edit its settings in the area on the right-hand side, which provides separate tabs for graphic editing of parametric EQ, compression and other effects. Each channel strip displays a graphic thumbnail of EQ curves, compressor settings and other channel specific parameters. There is also a section for talkback and listenback.


Eight stereo buses

Your MOTU FireWire audio interface supports up to eight separate stereo mixes (seven for the UltraLite-mk3) assigned to any digital or analog output pairs. For example, you could set up separate monitor mixes for the main outs and headphone outs, while two additional stereo buses could be used for send/return loops to reverb units or other outboard gear. Each mix can support all inputs (analog and digital).


DSP resources for mixing and effects

The CueMix FX flexible effects architecture allows you to apply EQ and compression on every input and output (up to 58 channels, depending on your interface), with enough DSP resources for at least one band of parametric EQ and compression on every channel at 48 kHz. However, DSP resources are allocated dynamically and a DSP meter allows you to keep tabs on your interface's CueMix FX processing resources.

Each input, output and mix bus provides a send to the Classic Reverb processor, which then feeds reverb returns to mix buses and outputs, with a selectable split point between them to prevent send/return feedback loops.


Talkback and Listenback

CueMix FX provides Talkback and Listenback features. Talkback allows an engineer in the control room to temporarily dim all audio and talk to musicians in the live room. Conversely, Listenback allows musicians to talk to the control room. For Talkback, you can set up a dedicated mic in your control room and connect it to a mic input on your interface. For Listenback, you can use one of the recording mics in the live room or you can set up a dedicated listenback mic for the musicians and connect it to a spare mic input.


Stereo operation

Two channels can be grouped to a single fader for stereo operation. Two stereo panning modes are available: balance and width. Balance mode works much like a normal stereo balance control, one channel fades in and the other fades out. Width mode collapses the stereo image to mono by adjusting the relative pans of each channel gradually to center.

 

For stereo inputs, an optional M/S (mid-side) decoder can be enabled with adjustable width control and software-swappable inputs.


Software metering

Signal activity of all inputs, busses and outputs can be monitored via the meters pane. In addition to the meters present on individual channels, a high-resolution meter and output bus activity associated with that channel can be displayed in the primary status window.

 

 

Effects programming

The EQcompression and reverb tabs give you complete access to CueMix FX on-board effects, and because they are driven by hardware DSP inside the interface itself, they won't tax your host computer's CPU. You can even use the effects without a computer connected.

 

The tabs shown above let you focus on one channel at a time and edit its settings using the high-resolution graphic display. But EQ and dynamics settings can also be edited on all channels in line (within each channel strip), where you can compare critical settings side-by-side, as shown below.

 

 

Instrument tuner and advanced signal analysis

CueMix FX provides an accurate instrument tuner and an extensive arsenal of audio analysis tools, including a real-time FFTspectrogram "waterfall" displayoscilloscope, and phase analysis tools.

 

 

 

Front-panel LCD access to all mix settings

All of the mixing features described on these pages (except for the signal analysis tools mentioned above) are available during stand-alone operation, and all of them can be accessed from the front panel LCD. This means you can program your mixes with the CueMix FX software in the studio and then take your MOTU interface on the road as a stand-alone digital mixer. Tweak your mix on location from the front panel.

 

Classic Reverb

Apply smooth, detailed reverb with several room models, three independent frequency bands and length up to 60 seconds.

The CueMix FX Classic Reverb™ provides five different room types, three frequency bands with adjustable crossover points, shelf filtering and reverb lengths up to 60-seconds.

Each input, output and mix bus provides a send to the Classic Reverb processor, which then feeds reverb returns to mix buses and outputs, with a selectable split point between them to prevent send/return feedback loops.


7-band EQ

Modeled after analog British console EQ's, known for their highly musical gain/Q settings, CueMix FX EQ provides a high pass filter, low pass filter, two shelving or parametric filters and five parametric bands.

The EQ section provides 7-band parametric EQ modeled after British analog console EQ's, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB per octave.

 

EQ settings can be adjusted graphically by dragging control points on the large graph in the main EQ tab, as shown above, or using the knobs for individual bands in each channel strip.


Tuner & analysis tools

CueMix FX provides powerful audio analysis visual diagnostic tools for stereo audio signals, from an accurate guitar/instrument tuner to phase and polarity measurement tools, to a full-fledged oscilloscope. Find out how you can improve your sound with these advanced, yet easy-to-use tools.


Instrument tuner

Just open the Tuner window, play a note, and use the large graphic display to get in tune with an accuracy of one 10th of a cent (one 1,000th of a semi-tone). Being in tune has never been easier.

The Tuner displays the detected note by frequency (in Hertz), note name and octave, with an adjustable reference frequency for A4 between 400 and 480 Hz.

The large meter gives you a clear indication of how high or low you are from the detected pitch.

Large red arrows direct you up or down as needed to zero in on the correct pitch.

You can even tune phase-coherent stereo signals.

The CueMix FX Tuner is as advanced and accurate as any dedicated hardware tuner out there.

 

FFT display

CueMix FX provides an optional real-time FFT display super-imposed on top of the graphic EQ curve so you can see as well as hear the effect of your equalization adjustments.

 

 

FFT display

 

Spectrogram "waterfall"

CueMix FX also provides real-time spectrogram "waterfall" display that provides rich, detailed visual information about the frequency content of any signal or mix. You can expand the spectrogram to fill the entire resizable CueMix FX on-screen window. You can also combine the spectrogram with the FFT display and EQ curve in the same display, or separate them to view them individually but simultaneously.

 

 

X-Y Plot

The X-Y Plot window graphs a stereo signal on a standard grid with left-channel amplitude on the x-axis and right-channel amplitude on the y-axis. Stereo material that is said to be "in polarity" (i.e., phase aligned) appears along the x = y axis:

 

Stereo material that has phase problems will appear along the x = -y axis meaning the signal will appear predominantly in the upper left and lower right of the display. A signal with an extremely wide stereo field will appear much more randomly (not along either axis).


Phase Analysis

The Phase Analysis window graphs frequency versus phase difference versus amplitude of a stereo signal on either rectangular or polar coordinates. In the rectangular view, the vertical axis represents frequency, and the horizontal axis represents the phase of the left channel minus the phase of the right channel. Stereo audio that is predominantly in polarity will appear centered along the center vertical axis:

 

Frequencies that would be canceled by summing to mono are those that touch the -1.0 or +1.0 lines on the left and right.

In the polar view, the radius represents frequency and the angle (theta) from the +y vertical axis represents the phase difference of left channel minus the right channel. Stereo audio that is generally in phase will appear along the +y axis (above the center point). The more the audio signal "tips" to the left or right, the more out of polarity it is. If it is completely out of phase, it will point downwards from the center point and hover around the -y axis (the part of the y axis below the center point):

 

Applications

Phase analysis can be used for a broad range of applications in the studio and on the stage. Here are just a few ideas:

  • Recording with multiple mics — the Phase Analysis window lets you compare multiple mic sources with each other to check for potential phase cancellation caused by varying distances in mic placement from the recorded source.
  • Checking the overall polarity of a stereo mix — quickly check for phase issues in your stereo mix.
  • Summing to mono — if your stereo material needs to be summed to mono, Phase Analysis lets you see what frequencies will be canceled out when summed.
  • Tuning and checking PAs or sound reinforcement — place mics in strategic locations in your venue to check for critical phase issues in the listening environment.



Audio as visual art

The X-Y Plot and Phase Analysis displays make for some seriously freaky visual results, depending on the audio signal you run through them. If you do any visual effects work on the side, take note:

Download and view numerous other examples.


Vintage compression

CueMix FX's flexible dynamics processing includes a high-quality conventional compressor, plus a leveling amplifier modeled after the legendary LA-2A™ optical compressor.


Conventional compressor

CueMix FX offers a conventional compressor with standard controls for threshold, ratio, attack, release and gain.

 

Adjust the threshold graphically while viewing accurate, long-throw metering in the compressor section of the CueMix FX software.

 

Leveler (automatic gain control)

The CueMix FX Leveler™ is an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.

Conventional compression and limiting with threshold, attack, ratio, release, etc. do not apply here: the heart of the LA-2A is the T4 opto-coupler, a photoelectric device with almost magical (signal dependent) self-adjusting behavior that makes optical compressors the tool of choice for smoothing out just about any audio material, from vocals to bass guitar to full-program mixes, without destroying perceived dynamics.

The Leveler faithfully models the LA-2A using the on-board DSP with 32-bit floating point precision. Its controls match the front panel of the original LA-2A: Gain Reduction and Makeup Gain knobs, along with Limiter/Compressor buttons.


Clock and sync

The 896mk3 uses extremely accurate Direct Digital Synthesis™ for internal clocking and for resolving to external word clock or SMPTE time code sources. The 896mk3 can resolve directly to time code, with no additional sychronizer required.


Direct Digital Synthesis™ clock

DDS logo

The 896mk3 is equipped with Direct Digital Synthesis™ (DDS), a DSP-driven phase lock engine and very high frequency digital clock source that produces imperceptibly low jitter characteristics (well below the overall noise floor), even when the 896mk3 is resolved to an external clock source via either word clock or SMPTE time code. This technology represents the very latest in extremely high-performance, yet cost-effective digital audio clocking. DDS also allows the 896mk3 to maintain an extremely stable clock while resolved to incoming clock sources that have substantially more jitter than the 896mk3 itself.


On-board SMPTE time code synchronization

You can slave your 896mk3 system directly to SMPTE time code, without a dedicated synchronizer, via one of the 896mk3's analog input jacks. The 896mk3 provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy.

MOTU SMPTE Console

 

SMPTE Console software

The included MOTU SMPTE Console™ software (for Mac OS X and Windows 7/Vista) provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer. Like CueMix FX, the synchronization features are cross-platform and compatible with all audio sequencer software that supports the ASIO2 sample-accurate sync protocol.


Expansion & drivers

Expand your 896mk3 system and run it with all your favorite audio software.


Adding more I/O to

Kratak opis 896mk3 Hybrid — 8 mic/guitar inputs with on-board effects and mixing Feature summary Hybrid FireWire/USB2 connectivity — connect to your computer via plug-and-play FireWire or hi-speed USB2. CueMix FX™ — flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output. 28 inputs / 32 outputs (at 44.1/48 kHz) — there's no channel sharing in the 896mk3; the mic inputs, AES/EBU I/O, S/PDIF I/O, headphone out and main outs are all handled as separate channels. Front-panel control — access any setting in your entire 896mk3 mix directly from the front panel. Stand-alone operation — program...
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NATIVE INSTRUMENTS X1 & Z1 (NATIVE INSTRUMENTS X1 & Z1)
KONTROL X1 MK2 KONTROL X1 is the compact add-on controller engineered for seamless TRAKTOR integration. Control two track decks and two TRAKTOR FX units Touch strip controls track position, pitchbend, loops and FX RGB back-lit triggers identify cue points from loops or markers KONTROL Z1 KONTROL Z1 is the ultra-compact 2-channel mixer, controller, and soundcard for TRAKTOR DJ and TRAKTOR PRO 2. Complete, ultra-portable setup for TRAKTOR DJ Pro-quality knobs, faders, and backlit buttons Mixing interface with 3-band EQ, built-in 24-bit soundcard LITTLE GIANT TRAKTOR KONTROL Z1 is the ultra-portable, professional DJ mixing controller forTRAKTOR DJ andTRAKTOR PRO 2. Its cue section lets you monitor and mix tracks with pro precision. Dedicated controls for two channels give you intuitive, tactile control over volume, EQ, filters, and effects. And the built-in audio interface delivers powerful, club-ready sound.
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ONKYO A 9030 Black (A 9030 Black)
Key Features WRAT (Wide Range Amplifier Technology) for Naturally Vivid Sound Innovative Three-Stage Amplifier Circuit Brings Your Music to Life Optimal Gain Volume Control Guarantees Cleaner Sound Phase-Matched Bass Boost for Deeper Bass and a Clearer Mid-Range Discrete Output Stage Circuitry Means Cooler Running Temperatures FEATURES 65 W/Ch (8 Ω, 1 kHz, 0.08% THD, 2 Channels Driven, IEC) Three-Stage Inverted Darlington Circuitry WRAT (Wide Range Amplifier Technology) Phase-Matching Bass Boost High-Current Low-Impedance Drive Thick, Low-Impedance Bus Bar for Perfect Ground Potential Two 8,200 µF Capacitors Optimum Gain Volume Control Direct Mode 1.6 mm Full Flat Chassis Aluminum Front Panel Tone Control (Bass/Treble/Balance) 5 Analog Audio Inputs and 1 Output Phono Input (MM) Subwoofer Pre-Out Speaker A/B Drive Banana Plug-Compatible Speaker Posts Headphone Jack RI (Remote Interactive) Remote Control
ntegrated Stereo Amplifier A High-Value Proposition for the Passionate Music Fan. WRAT (Wide Range Amplifier Technology) for Naturally Vivid Sound. Innovative Three-Stage Amplifier Circuit Brings Your Music to Life
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ONKYO C 7030 Black (C 7030 Black)




Onkyo // C-7030 Black - Compact Disc Player

  • VLSC™ (Vector Linear Shaping Circuitry)
  • Precision Clock
  • Wolfson® 192 kHz/24-Bit DAC
  • Fully Flat Anti-Vibration Chassis



Stunning Fidelity from a Stylish and Affordable CD Player

For music lovers who enjoy the tangible experience of playing a physical format, the CD retains its enduring appeal. The pleasure comes not just from browsing a collection of discs and reading the liner notes. It also comes from enjoying your music in superior fidelity. By combining high-quality components and decades of Onkyo audio know-how, the C-7030 CD player delivers a superb playback experience. The key lies in keeping the audio signal clean and free from interference, all the way to the output stage. To achieve this, we employ a new high-precision clock to dramatically reduce timing errors, along with our original VLSCTM to reduce pulse noise. Driving the system is a massive, custom-built transformer that provides a clean and stable power supply. Given how affordable the C-7030 is, build quality is exceptional. A 1/16? (1.6 mm)-thick flat chassis base helps reduce unwanted

vibrations, while the sleek aluminum front panel provides an elegant finish.



Special Features

  • Plays Audio CD, CD-R/RW, MP3 CD and WMA CD
  • VLSC for Pulse Noise Reduction
  • Custom-Designed Massive EI Transformer
  • Precision Clock (+/- 10 ppm)
  • Differential Headphone Amplifier Circuitry
  • Optical and Digital Audio Inputs
  • Solid Aluminum Front Panel
  • 25-Track Memory Playback



Product Features

  • Shuffle/Random Play
  • Direct Track Access by remote
  • Digital Output (Optical/Coaxial) 1 Optical/1 Coaxial
  • Analog Output (Fixed)
  • RI Remote Control
  • Plays MP3 CDs, CD-R/CD-RWs
  • Vector Linear Shaping Circuitry (VLSC)
  • Wolfson® 192 kHz/24-bit DAC
  • Repeat and Random Modes
  • 2 digital outputs (optical/coaxial)
  • Headphone Jack w/ Volume Control
  • High-rigidity, anti-resonant chassis



Product Specifications

  • Frequency Response 4 Hz-20 kHz/+1 db, -3db (DSP bypass)
  • THD (1 kHz) 0.0029 %
  • Dynamic Range 100 dB
  • S/N Ratio 107 dB
  • Audio Output -
  • Optical -22.5dBm
  • Digital (Coaxial) 0.5 Vp-p/75 ohms
  • Analog 2.0 V (rms)/500 ohms



General

  • Power Supply AC 120 V, 60 Hz
  • Power Consumption 12 W
  • Standby Power Consumption 0.3 W
  • Dimensions (W x H x D) 17 1/8? x 4? x 12 1/16? (435 x 101 x 306 mm)
  •  
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Pioneer CDJ 2000NX2 The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats. Pioneer EFX 1000 Proffesional Performance Effector Unbelievable high fidelity sound Redefine your effects arsenal with 7 new effects Experiment with more parameter control over your digital jog break and beat effects Get complete tempo control in rhythm mode
Pioneer CDJ 2000NX2 x 2 & Pioneer EFX 1000
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VESTAX & ESI vci 100 + udj6 (VESTAX & ESI vci 100 + udj6)
Vestax / VCI-100MKII - DJ MIDI Controller / DJ MIDI Kontroler Don't control music, create it In 2006, Vestax introduced the VCI-100, the world’s first professional USB MIDI controller, which perfectly fit into the upcoming demand of the computer DJ scene. The concept of flexibly controlling any DJ software and being built with Japanese parts and mechatronics technology enabled the VCI-100 to make its mark in the DJ world. Over the years as the entire DJ scene made its shift to computer based DJing, we kept collecting requests and demands to make another mark. This time, with the VCI-100MK2.*Functions, designs and system requirements are subject to change without notice. UDJ6 is a new professional level 24-bit USB audio interface featuring 6 totally independent output channels. Two stereo outputs (channels 3 to 6) are provided with RCA connectors on one side of the small and compact bus-powered interface, in its stylish aluminium case. The other side features a stereo headphone output for 1/4" stereo connection (providing channel 1 and 2 signals). Of course, every output channel can be accessed totally independent from within any modern DJ application for Mac OS X or for Windows. This compatibility is provided by the included ASIO 2.0 drivers for Windows XP / Vista / 7 / 8 (32-bit and 64-bit) and the full CoreAudio support for Mac OS X....
Vestax vci 100 + Esi udj6
259.00€
ZOOM TAC 2/EG (TAC 2/EG)

Specs

Input
Input 1 / 2 connectors:

XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot)

Input gain:

0, 9 to 60 dB (3dB step)

Input impedance:

3kΩ

Maximum input level:

+12 dBu (@0dBFs)

Phantom power:

+48V

Hi-Z (INPUT1) connector:

1/4" phone jack

Input impedance:

1MΩ

Maximum input level:

+10 dBu (@0dBFs)

Output
L/R connector:

1/4" TRS phone jack (Balanced)

Maximum output level:

+15 dBu (@0dBFs)

Output impedance:

100Ω

Phones
Connector:

1/4" Stereo phone jack
20mW + 20mW (into 32Ω load)

Maximum output level:

+10 dBu (@0dBFs)

Output impedance:

30Ω

AD/DA conversion
Type:

4x upsampling

Chipset:

Burr Brown PCM4202 (A/D)

AKM AK4396 (D/A)

Frequency response:

-2.0 dB: 20 Hz - 50 kHz @ 192kHz setting
-1.0 dB: 20 Hz - 34 kHz @ 96kHz setting
-0.4 dB: 20 Hz - 20 kHz @ 44.1kHz setting

Dynamic range:

A/D: 118dB typical (IHF-A)

D/A: 120dB typical (IHF-A)

Other
Compatability:

MAC Only

S/N ratio EIN:

125dB(IHF-A) @ 60dB, 150Ω input

Audio channels recording:

2

Audio channels playback:

2

Sampling frequency:

192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz

Bit depth:

24-bit

Interface:

Thunderbolt

Power:

Thunderbolt Bus Power

Dimensions:

129.5mm(D) x 120.0mm(W) x 51.3mm (H)

Weight:

420g

 

Routing audio signal to and from editing software

Just connect the TAC-2 to your computer via Thunderbolt and then plug the audio source (such as a portable recorder, mixing console, or music player) into the TAC-2's inputs. You can monitor signal coming from the software via headphones or by connecting the TAC-2 outputs to amplifiers or self-powered speakers

Recording voice and instruments into a DAW

Enhance your music by adding your own instruments and voice. The TAC-2 makes it easy to do: Simply connect microphones and instruments to the inputs and then connect the TAC-2 to your computer's Thunderbolt port. The extreme low latency provided by Thunderbolt technology ensures that you can overdub to existing tracks with little or no audible delay.

Onstage playback of audio from your computer during live performance

Got some great sounds in your laptop? The TAC-2 can bring them to life—simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TAC-2's TRS outputs to your mixing board or PA system. That's all it takes to turn your laptop into an instant live instrument.

Listening to high-resolution streaming audio through headphones or connected speakers

MP3s can sound good, but high resolution audio files—24/96 or 24/192 WAVs—sound way better. Now you can enjoy streamed high resolution files in full fidelity by connecting your computer to the TAC-2 via Thunderbolt and using the TAC-2 headphone jack instead of the one on your computer. Alternatively, you can use the rear panel balanced TRS outputs to connect the TAC-2 to your speakers. 

Thunderbolt: The ultimate in high-speed connectivity

More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2 are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0)—enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2.

The TAC-2 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2 processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Ins and Outs

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2. Two combo XLR/TRS inputs are provided for the connection of mic- and line-level signals, and there's a handy Hi-Z (high impedance) unbalanced input on the front panel for direct connection of passive electric guitars and basses using a standard 1/4" guitar cable. The TAC-2 also offers two balanced TRS output jacks which allow you to connect the TAC-2 to your monitors, as well as a dedicated 1/4" stereo headphone jack. All TAC-2 audio jacks use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors.

The TAC-2's single rotary control knob is used to set input, output, and headphone levels and to provide +48 volts of phantom power to the selected input, allowing you to use the TAC-2 with any kind of microphone, from low-cost dynamics to expensive studio-quality condensers. Seven-segment LEDs show continuous signal strength as well as input/output overload clipping.

Zoom TAC-2 MixEfx

TAC-2 MixEfx is a free Macintosh application designed specially for the TAC-2. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, and AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for ultra-low latency. TAC-2 MixEfx has three memory slots for saving user settings with quick recall.
State of the art editing with every interface

The Zoom TAC-2 comes with a free download license for Sternberg’s Cubase LE music production software, providing not just the ability to capture incredible high-resolution / low-latency audio in every box, but to do spectacular things with it.

Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom TAC-2, TAC-2R, and TAC-8 purchase.

Currently shipping with:
Cubase LE7 for Mac OS X 10.7, 10.8, 10.9 and Windows 7/8

Features at a glance

    2-in/2-out high speed Thunderbolt™ audio interface 
    Support for recording and playback up to 24-bit/192kHz 
    Ultra-low latency audio streaming
    Two combo balanced XLR/TRS input connectors
    +48V phantom power for each input
    Hi-Z input jack allows direct connection of electric guitar or bass
    Two balanced TRS output jacks for connection to amplifiers or self-powered speakers
    Dedicated headphone jack with independent level control
    7-position LED metering for input, output, and headphone volume
    High-performance Burr Brown mic preamps with up to +60dB of amplification
    4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity
    Asynchronous transfer system unaffected by computer jitter
    Simple user interface—all operations controlled by a single rotary knob
    Bus powered—no AC power required
    Rugged yet compact and lightweight
    Works with all Thunderbolt-equipped Macintosh computers running OS X 10.8.5 or later

 

Specs

Input
Input 1 / 2 connectors:

XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot)

Input gain:

0, 9 to 60 dB (3dB step)

Input impedance:

3kΩ

Maximum input level:

+12 dBu (@0dBFs)

Phantom power:

+48V

Hi-Z (INPUT1) connector:

1/4" phone jack

Input impedance:

1MΩ

Maximum input level:

+10 dBu (@0dBFs)

Output
L/R connector:

1/4" TRS phone jack (Balanced)

Maximum output level:

+15 dBu (@0dBFs)

Output impedance:

100Ω

Phones
Connector:

1/4" Stereo phone jack
20mW + 20mW (into 32Ω load)

Maximum output level:

+10 dBu (@0dBFs)

Output impedance:

30Ω

AD/DA conversion
Type:

4x upsampling

Chipset:

Burr Brown PCM4202 (A/D)

AKM AK4396 (D/A)

Frequency response:

-2.0 dB: 20 Hz - 50 kHz @ 192kHz setting
-1.0 dB: 20 Hz - 34 kHz @ 96kHz setting
-0.4 dB: 20 Hz - 20 kHz @ 44.1kHz setting

Dynamic range:

A/D: 118dB typical (IHF-A)

D/A: 120dB typical (IHF-A)

Other
Compatability:

MAC Only

S/N ratio EIN:

125dB(IHF-A) @ 60dB, 150Ω input

Audio channels recording:

2

Audio channels playback:

2

Sampling frequency:

192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz

Bit depth:

24-bit

Interface:

Thunderbolt

Power:

Thunderbolt Bus Power

Dimensions:

129.5mm(D) x 120.0mm(W) x 51.3mm (H)

Weight:

420g

 

Routing audio signal to and from editing software

Just connect the TAC-2 to your computer via Thunderbolt and then plug the audio source (such as a portable recorder, mixing console, or music player) into the TAC-2's inputs. You can monitor signal coming from the software via headphones or by connecting the TAC-2 outputs to amplifiers or self-powered speakers

Recording voice and instruments into a DAW

Enhance your music by adding your own instruments and voice. The TAC-2 makes it easy to do: Simply connect microphones and instruments to the inputs and then connect the TAC-2 to your computer's Thunderbolt port. The extreme low latency provided by Thunderbolt technology ensures that you can overdub to existing tracks with little or no audible delay.

Onstage playback of audio from your computer during live performance

Got some great sounds in your laptop? The TAC-2 can bring them to life—simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TAC-2's TRS outputs to your mixing board or PA system. That's all it takes to turn your laptop into an instant live instrument.

Listening to high-resolution streaming audio through headphones or connected speakers

MP3s can sound good, but high resolution audio files—24/96 or 24/192 WAVs—sound way better. Now you can enjoy streamed high resolution files in full fidelity by connecting your computer to the TAC-2 via Thunderbolt and using the TAC-2 headphone jack instead of the one on your computer. Alternatively, you can use the rear panel balanced TRS outputs to connect the TAC-2 to your speakers. 

Thunderbolt: The ultimate in high-speed connectivity

More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2 are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0)—enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2.

The TAC-2 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2 processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Ins and Outs

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2. Two combo XLR/TRS inputs are provided for the connection of mic- and line-level signals, and there's a handy Hi-Z (high impedance) unbalanced input on the front panel for direct connection of passive electric guitars and basses using a standard 1/4" guitar cable. The TAC-2 also offers two balanced TRS output jacks which allow you to connect the TAC-2 to your monitors, as well as a dedicated 1/4" stereo headphone jack. All TAC-2 audio jacks use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors.

The TAC-2's single rotary control knob is used to set input, output, and headphone levels and to provide +48 volts of phantom power to the selected input, allowing you to use the TAC-2 with any kind of microphone, from low-cost dynamics to expensive studio-quality condensers. Seven-segment LEDs show continuous signal strength as well as input/output overload clipping.

Zoom TAC-2 MixEfx

TAC-2 MixEfx is a free Macintosh application designed specially for the TAC-2. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, and AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for ultra-low latency. TAC-2 MixEfx has three memory slots for saving user settings with quick recall.
State of the art editing with every interface

The Zoom TAC-2 comes with a free download license for Sternberg’s Cubase LE music production software, providing not just the ability to capture incredible high-resolution / low-latency audio in every box, but to do spectacular things with it.

Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom TAC-2, TAC-2R, and TAC-8 purchase.

Currently shipping with:
Cubase LE7 for Mac OS X 10.7, 10.8, 10.9 and Windows 7/8

Features at a glance

    2-in/2-out high speed Thunderbolt™ audio interface 
    Support for recording and playback up to 24-bit/192kHz 
    Ultra-low latency audio streaming
    Two combo balanced XLR/TRS input connectors
    +48V phantom power for each input
    Hi-Z input jack allows direct connection of electric guitar or bass
    Two balanced TRS output jacks for connection to amplifiers or self-powered speakers
    Dedicated headphone jack with independent level control
    7-position LED metering for input, output, and headphone volume
    High-performance Burr Brown mic preamps with up to +60dB of amplification
    4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity
    Asynchronous transfer system unaffected by computer jitter
    Simple user interface—all operations controlled by a single rotary knob
    Bus powered—no AC power required
    Rugged yet compact and lightweight
    Works with all Thunderbolt-equipped Macintosh computers running OS X 10.8.5 or later

ŠALJEMO NA ADRESU!!!

Kratak opis In today's world, speed is everything. The blazingly fast Zoom TAC-2 interface uses the latest Thunderbolt™ technology for ultra-low latency and the ultimate in high-quality audio, up to 24-bit/192kHz. Lightweight and portable, yet rugged enough for the road, the TAC-2 is also easy to use, with a single large rotary knob controlling all parameters. Whether using it in your home studio or on the road, you can rely on your TAC-2 to deliver pristine audio.
202.00€
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